telephone, then said: “Miss Blackett will come to take you up to Miss Etienne. Perhaps you would like to take a seat.”
Mandy sat and, ignoring the three daily newspapers, the literary magazines and the carefully arranged catalogues fanned out on a low table, looked about her. It must once have been an elegant room; the marble fireplace with an oil painting of the Grand Canal set in the panel above it, the delicate stuccoed ceiling and the carved cornice contrasted incongruously with the modern reception desk, the comfortable but utilitarian chairs, the large baize-covered noticeboard and the caged lift to the right of the fireplace. The walls painted a dark rich green bore a row of sepia portraits. Mandy supposed they were of previous Peverells and had just got to her feet to have a closer look when her escort appeared, a sturdy, rather plain woman who was presumably Miss Blackett. She greeted Mandy unsmilingly, cast a surprised and rather startled look at her hat and, without introducing herself, invited Mandy to follow her. Mandy was unworried by her lack of warmth. This was obviously the managing director’s PA, anxious to demonstrate her status. Mandy had met her kind before.
The hall made her gasp with wonder. She saw a floor of patterned marble in coloured segments from which six slim pillars rose with intricately carved capitals to an amazing painted ceiling. Ignoring Miss Blackett’s obvious impatience as she lingered on the bottom step of the staircase, Mandy unselfconsciously paused and slowly turned, eyes upwards, while above her the great coloured dome spun slowly with her; palaces, towers with their floating banners, churches, houses, bridges, the curving river plumed with the sails of high-masted ships and small cherubs with pouted lips blowing prosperous breezes in small bursts like steam from a kettle. Mandy had worked in a variety of offices, from glass towers furnished with chrome and leather and the latest electronic wonders to rooms as small as cupboards with one wooden table and an ancient typewriter, andhad early learned that the office ambience was an unreliable guide to the firm’s financial standing. But never before had she seen an office building like Innocent House.
They mounted the wide double staircase without speaking. Miss Etienne’s office was on the first floor. It had obviously once been a library but the end had been partitioned to provide a small office. A serious-faced young woman, so thin she looked anorexic, was typing on a word processor and gave Mandy only a brief glance. Miss Blackett opened the interconnecting door and announced: “It’s Mandy Price from the agency, Miss Claudia,” then left.
The room seemed to Mandy very large after the ill-proportioned outer office and she walked across an expanse of parquet flooring towards a desk set to the right of the far window. A tall dark woman got up to receive her, shook hands and motioned her to the opposite chair.
She said: “You have your curriculum vitae?”
“Yes, Miss Etienne.”
Never before had she been asked for a CV, but Mrs. Crealey had been right; obviously one was expected. Mandy reached down to her tasselled and garishly embroidered tote bag, a trophy from last summer’s holiday in Crete, and handed over three carefully typed pages. Miss Etienne studied them and Mandy studied Miss Etienne.
She decided that she wasn’t young, certainly over thirty. Her face was sharp-boned with a pale delicate skin, the eyes shallowly set with dark, almost black, irises under heavy lids. Above them the brows had been plucked to a high arch. The short hair, brushed to a sheen, was parted on the left side, the falling strands tucked behind her right ear. The hands which rested on the CV were ringless, the fingers very long and slender, the nails unpainted.
Without looking up, she asked: “Is your name Mandy or Amanda Price?”
“Mandy, Miss Etienne.” In other circumstances Mandy would have pointed out that if her