gown,
and any decorum life affords
these days, is surrounded by the girls—
some floral aunts, a gawky niece
in her first pearls—
and all the men in blazers, khakis …
running shoes? Boys will be boys.
Squirming, they squint into the sun:
some amateur
shutterbug has made sure they can’t
see us, or we see them, and yet
I understand now who is shaded
there in the wheelchair.
Dwindled, elderly, it’s Zelda—
her lumpy little body slumped
like a doll’s in a high chair, shoes just
grazing the footrest.
It must be she. However many
lives her hair went through—Forties
complications held with tortoise-
shell combs; beehives;
softer bouffants like Jackie’s; fried
and sprayed gray-pincurl granny perms—
in all the years (say, seventy-five?)
since I last saw her,
she’s come back to that sleek, side-parted
bob, which (though it’s white) encloses
the girl who’s smiling, pert, high-cheeked,
despite the pull
of gravity: just like her father.
Or as he was.
When did he die,
and how? What was his name? What’s yours?
I could find out,
surely, when I leave here; the owner
might well be her granddaughter.
I could scout, too, for snapshots even
more recent—some
get-together with no wheelchair—
to prove what I’m sensing: Zelda’s gone.
Why would they think to frame this scene,
unless it’s the last?
But why should
we
care so for people
not us or ours—recognized by sight
alone—whose voices never spoke
with wit or comfort
to us, and whose very thoughts,
imagined, every year grow quainter?
Yet they must have felt this tug as well,
repeatedly
peering at someone they were bound
to come back to, as in a mirror.
Who says they’re more anonymous
than I am,
packing up after my two weeks
in the guesthouse? I make one last study
of Zelda’s father, lingering with
the boy, the man,
sealing his developing
face in myself for safekeeping.
Too soon to leave. But then, nobody
ever stays here long.
Night Thoughts
1.
The hunchback is curled
all night in my shut closet.
I am six years old.
2.
Dark in the cabin.
No lamp but the blue moon of
the computer screen.
3.
Pebbles on the beach:
the waves, without swallowing,
deliver a speech.
4.
I’d need a furnace
(if I were a glassblower)
to make icicles.
5.
She’s alone in bed.
In an earlier time zone
he dines a lover.
6.
A page of haiku:
among the caught fireflies, one
lights the whole bottle.
Snowed-on Snowman
“Want to make a snowman?”
—So goes her wide-eyed question
on a Sunday in January.
I’ve been sweeping the kitchen floor
and prop the broom, like a bookmark,
against the vertical line
that joins one wall to another.
I check my watch: 3:30.
The last light of the weekend,
her last such invitation,
maybe: she’s thirteen.
“I’m not sure it’s packable.
It may not be good snow,
or enough snow for a snowman.”
—So go my instinctive,
unfun, nay-saying quibbles:
I’ve been an adult a long time.
“Could we make a snowchild then?”
Straight-faced, without guile,
she doesn’t seem to know
she’s just invented a word—
or that its snow-fresh sound
compels the thing’s creation.
Seize the day in a snowball
and roll it across the yard;
leave a paper-thin
membrane between winter
and a spring that’s coming up
in clumps of grass and soil;
roll the ball rounder, bigger,
make a second, a third,
then pile them, roughly centered,
one on top of the other,
like marshmallows on a stick.
And human, for all that:
remarkable how little
skill it takes to make us
believe in, fall in love with,
this lopsided Galatea
(and why do we say it’s male?
Why do we feel that poking
a tarnished candle-snuffer
for a pipe in his mouthless head
will finally clinch the matter?).
Dressed, at last, in every
cliché we can think of—scarf
wrapped against
Lee Strauss, Elle Strauss