the cold
of himself, a wide-brimmed hat
shielding his unshelled
almond eyes and carrot
nose from a burning snowlight
ruddied by low sun—
he’s readier than she
(reverting, herself, to pure
put-upon type, the impatient
teenager) to pose
for a snapshot side by side—
each soon to disappear,
him shrinking as she grows.
But not before Monday morning.
Slipping out to hunt
the rolled-up paper, dreading
along with it the widespread
old news of Sunday’s snow
gone smudged, a little yellow,
I find instead a fine
life-dust on everything:
snow on the snowman’s hat
(whose brim serves to define
the line between what’s molded
by us, and snow like that);
snow too light to burden
his rounded back or shoulders,
or mine, the shoveler’s;
snow like breakfast crumbs
I nearly brush from his scarf
before I catch myself.
Inside, I stamp my boots
and call upstairs.
You’re late,
I usually say;
you must
eat your toast, it’s getting cold;
how can you take an hour
to decide which jeans to wear?
In a corner, the forgotten
broom still marks the place
of yesterday in the room.
“Come down,” I call up again.
“Come see the snowed-on snowman.”
Light-Footed
AN INTERLUDE
Deliveries Only
for Sarah Marjorie Lyon, born in a service elevator
Your whole life long, you’ll dine
out on the same questions:
In your building? On what floor?
Was it going up or down?
They’ll need the precise location—
Seventy-ninth and Lex?—
as if learning it could shield them
from the consequences of sex.
Wasn’t your mother a doctor?
Didn’t she talk him through
how to do it?
And then you’ll tell them
how your father delivered you,
that only after your birth
did he think to reach in her bag
and dial 911.
He held you up like a phone
and was taught how to cut the cord.
What about proper hygiene?
When did the ambulance come?
Waiting, you were the siren,
squalling in a rage
behind the old-fashioned mesh
of the elevator door:
a Lyon cub in her cage.
Didn’t your parents worry?
Hadn’t they done Lamaze?
But you’ll only shrug at your story:
That was the way it was.
School Pictures
Nobody wants them, not even Mom. And Dad
always pretends they fell out of his wallet.
Not even at thirteen could we look that bad.
Maybe it’s trick photography, like an ad.
We combed our hair. When did somebody maul it?
Nobody wants them, not even Mom and Dad.
No self-respecting kid would wear that plaid.
She looks so Eighties in that whatchamacallit.
Not even at thirteen could we look that bad.
Say cheese at 9 a.m.? Jeez, we were mad.
But we meant to please the public, not appall it.
Nobody wants them. Not even Mom and Dad,
homely as they are, have ever had
a girl you might mistake for Tobias Smollett.
Not even at thirteen could we look that bad.
We could try to call it art, the latest fad,
but could we find a gallery to install it?
Nobody wants them, not even Mom and Dad.
Not even at thirteen could we look that bad.
A Morris Dance
Across the Common, on a lovely May
day in New England, I see and hear
the Middle Ages drawing near,
bells tinkling, pennants bright and gay—
a parade of Morris dancers.
One plucks a lute. One twirls a cape.
Up close, a lifted pinafore
exposes cellulite, and more.
O why aren’t they in better shape,
the middle-aged Morris dancers?
Already it’s not hard to guess
their treasurer—her; their president—him;
the Wednesday night meetings at the gym.
They ought to practice more, or less,
the middle-aged Morris dancers.
Short-winded troubadours and pages,
milkmaids with osteoporosis—
what really makes me so morose is
how they can’t admit their ages,
the middle-aged Morris dancers.
Watching them gamboling and tripping
on Maypole ribbons like leashed dogs,
then landing, thunderously, on clogs,
I have to say I feel like skipping
the middle-aged Morris dancers.
Yet bunions and