been a luthier. He had money she could not quite square with the modest income from his business – the studio rental alone should have been beyond his means. But she had no desire to dig for the details. ‘Perhaps you need to get over it.’ ‘Get over it?’ Feeling a flush of irritation Chiku leaned on the table, making it rock on its uneven metal legs. ‘You don’t get over something like that. Plus that’s just the start of it – they’ve been messing with my family’s business for far too long.’ ‘But if they can make the ghost go away—’ ‘He said “help me with that”. That might mean being able to answer the ghost. To find out what Chiku Green wants.’ ‘Would you want that?’ ‘I’d like the option. I think maybe . . .’ But Chiku chose not to finish her sentence. She drank some wine. A woman bellowed the same three lines of Fado from the open doorway of one of the bars in the street below, rehearsing for an evening performance. ‘I don’t know if I can trust them. But Mecufi gave me this.’ She placed the little marble on the table between them. Pedro reached out and pinched it between thumb and forefinger with a faint sneer of distaste. He did not approve, Chiku knew. He thought motes somehow short-circuited an essential element of human discourse. ‘These aren’t foolproof.’ She took back the amber marble. It would not work for Pedro anyway. Motes were always keyed to a specific recipient. ‘I know. But I’m willing to try it.’ Chiku crushed the mote. The glassy orb shattered into harmless self-dissolving shards as the mote’s payload – its cargo of emotions – unfolded inside her head like a flower. The mote spoke of caution and hopefulness and a singular desire to be trusted. There were no dark notes in the chorus. I was right about Mecufi being a he,’ Chiku decided. ‘That came through clearly.’ ‘What else?’ ‘He wants me to go to the seasteads very badly. They need me at least as much as I need them. And it’s not just about the ghost. There’s something else.’ The woman singing Fado ran through the same three phrases again and her voice cracked on the last syllable. The woman laughed.
CHAPTER TWO Belém was where she had met Pedro. It had not been long after her arrival in Lisbon. Both of them buying ice creams from the same stand and laughing as wickedly determined seagulls dived and skimmed to scoop away their purchases. She went up onto the roof of the Monument to the Discoveries, with its sea-gazing ranks of carved navigators. It was the only place to get a decent view of the Wind Rose. It was a map of the ancient world, laid out across a wide terrace in slabs of red and blue marble. Galleons and seamonsters patrolled its fathomless seas and oceans. A kraken was hauling a ship to the depths in its tentacles. Beyond the map, arrows delineated the cardinal compass points. ‘It’s good that you came.’ She turned around sharply. When she had arrived there had been no merfolk on the Monument’s viewing level, or at least none that she had recognised as such. It was a whisker after ten and she assumed her lateness had caused the agreement to be nullified. And yet here was Mecufi, stuffed now into an upright mobility exo. ‘You mentioned the ghost. I’ve seen it once already this morning, on the tram.’ ‘Yes, it’s getting worse, isn’t it? But we’ll talk about that later. There are a couple of other things on the agenda before that. Shall we fly?’ ‘Fly?’ Mecufi looked up. Chiku followed his gaze, squinting against the haze. A shape detached itself from a bright wheel of gulls and grew larger as it descended. It was a flier, about as wide across as the top of the monument. ‘We have special dispensation,’ Mecufi said. ‘They love us in Lisbon, after we installed the tsunami baffles. They’ve got long memories here – 1755 was yesterday.’ From the flier’s broad green belly came a warm downdraught. A ramp