shaman,
tutored by the Indians who live at the base
of Monte Albán. Tutored also by the heavy bag
at Sonnyâs Gym:
Box like heaven
/
Fight like hell
his T-shirt says; the graphic shows an angelâs fist
buried to the wrist in Satanâs brisket, while the prince
of dark jabs the angelâs kisser. Victor
has sandpiper legs, his ponytail a mess of webs,
but he has eaten the ayahuasca vine
and chanted in the sweat lodge
and entered the fight-cage in a bar in Tucson,
Adamâs apple jiggling his Star of David
when he writes me out a prayer.
He says he flew here to visit his grandma,
only she died before the plane touched downâ
the dead leave yard sales to the living,
who shoot staple guns at telephone poles
and soothe their eyes with slabs of meat.
No matter how many rounds you go in practice,
he says you always come out unprepared
om ah hum
vajra siddhi padma hum
for the mountain of junk inside the house: cedar canoe
in the rafters and the box of Kotex he found
from her last menstrual period in the 1950s.
Wheel
I sat, as I do, in the shallows of the lakeâ
after crawling through the rotting milfoil on the shore.
At first
the materials offered me were not muchâ
just some cattails where a hidden bullfrog croaked
and a buckhouse made from corrugated tinâ
at first I thought Iâd have to write the poem of its vapors.
But wait
long enough and the world caves in,
sends you something like these damselflies
prickling your chest. And the great ventriloquist
insists
you better study them or else:
how the liquidmetal blue gleams like a motorcycle helmet,
how the markings on the thorax wend like a maze,
their abdomens ringed like polecat tails,
the tip of his latched
to the back of her neck
while his scrawny forelegs wipe his mandible
that drops and shuts like a berth on a train.
But when I tallied his legs, he already had sixâ
those wiper-legs belonged to a gnat
he was cramming in his mouth. Which took a long time
because the gnat struggled, and I tried to imagine
a gnat-size idea of the darkness
once the mandible closed.
Call me bad gnat: see how every other thing strivesâ
more life!
Even with just two neurons firing the urge.
Then the she-flyâs abdomen swung forward
to take the sperm packet from his thorax,
and he finished chewing
in this position that the field guide calls
The Wheel.
Call me the empress of the unused bones,
my thighs fumigated by the rank detritus of the shore
while the meal
and The Wheel
interlocked in a chain
in the blue mouth of the sky
in the blacker mouth beyond
while I sat, as I do, in the shallows of the lake
where sixty thousand damselflies
were being made a half-inch from my heart.
After Reading
The Tibetan Book of the Dead
The hungry ghosts are ghosts whose throats
stretch for miles, a pinprick wide,
so they can drink and drink and are never sated.
Every grain of sand is gargantuan
and water goes down thick as bile.
I donât know how many births it takes to get
reborn as not the flower but the scent.
To be allowed to exist as air (a prayer
to whom?)â dear whom:
the weight of being is too much.
Victor Feguer, for his final meal,
asked for an olive with a pit
so that a tree might sprout from him.
It went down hard, but now the murderer is comfort.
He is a shady spot in the potterâs field.
But it must be painful to be a tree,
to stand so long with your arms up.
You might prefer to be a rock
(if you can wear that heavy cloak).
In Bamiyan, the limestone Buddhas stood
as tall as minor mountains, each one carved
in its own alcove. Their heads
eroded over time, and the swallows
built nests from their dust,
even after zealots blew them up.
Now the swallows wheel in empty alcoves,
their mouths full of ancient rubble.
Each hungry ghost hawks up his pebble
so he can breathe. And the dead
multiply under the olive tree.
The