threat,
trying to be one in sixteen.
If sixteen of them
make it,
my dream dies.
I slip off my jeans and T-shirt
and tie on my black chiffon miniskirt.
I kick off my clunky clogs
for thin, leather, flat shoes
that glove my feet.
My bones and muscles
poke out all over.
Here
everything has to be uncovered.
Margot walks by
in the dressing room,
wearing nothing
but a dangling tampon string.
Is she so used
to people staring
at her body,
correcting and directing,
that she believes
it doesnât matter
if anyone looks anymore?
Is she so confident
of her body
that anyone can look
at everything?
Why am I the only one
blushing?
Willow never gets ready alone.
Her mother swoops into the dressing room
for final touches,
like a splash of rose water.
We are bumped aside
for Willowâs completion.
âThere.â Her mother sighs.
âNow go dance,
my prima ballerina.â
Willow parades out to the barre room,
wearing the only smile around.
Yeah, my mom might call me
her little ballerina,
but at least she doesnât smother me
like Willowâs mom.
Shoving in,
telling me what to do
and how to get better.
Thatâs got to be a ton of pressure for Willow.
Her mom needs a life.
At least mineâs got the bookstore with Dad.
She has something other than me.
Doesnât she?
Willowâs mom scuttles out
while Rosella charges in.
âI guess Prima
is ready for class,â she mutters.
âMommy made her smell like a rose today.â
Rosella snorts.
If we throw our anger at Willow,
we can pretend we didnât argue yesterday.
âI didnât eat yet.â Rosella dumps her stuff
and peels open a yogurt container.
I fight my smile
because sheâs making an effort to eat.
I retie my skirt.
She gulps the pink stuff down until
we hear Margot retching in the bathroom.
âSee, Iâm not the only one.â Rosella smirks.
âWhatever.â I hope sheâll eat more.
The toilet flushes,
and Margot walks by us
straightening her leotard.
Her pale face
stretches over her
sharp cheekbones.
Rosella tosses her half-eaten yogurt
into the garbage.
Thunk.
We both
follow Margot
out of the dressing room.
The barre
is cool
under my hot fingertips.
I choose a place
to stand.
Point hard, and harder.
I crunch the top of my toes
under.
One foot
and then the other.
First position,
turned out from the hip
as far as I can go
without my feet rolling inward.
My turn-out is
better than Rosellaâs,
but not as good as Margotâs.
We havenât even begun,
and I know how I measure up.
I have to work harder.
I slide my hand forward
to a cooler spot.
We each feel it.
Without mirrors in the barre room,
we canât check ourselves.
Even the girls who donât believe what they see
want to look in a mirror.
I twist and check out my rear.
My leotardâs creeping.
I snap the elastic.
Dia stretches
to be sure her short chest sweater
stays down.
Willow examines her plié
and adjusts her turn-out.
Rosella reties her skirt.
Sheâs measuring to see if her waist
is bigger.
All of us wonder if
we look okay
without mirrors
saying so.
We for sure canât ask
each other.
Black leotardâ
V neck,
square back,
high-cut legs;
pink tightsâ
not too pink,
not too white;
no underwear
but a thin bra;
chiffon skirtâ
cut from one piece
of cloth;
optional leg warmers
with a foot strap;
rubber pants or short sweaters
if youâve gained a pound;
flat ballet slippers
for barre work;
European custom toe shoes
for floor exercise;
a bun;
no bangs;
no jewelry;
no identity.
No one
breaks the silence
until
Tommy and Elton come out
of the boysâ dressing room.
âYou are kidding!â says Tommy.
âNope.â Elton grins.
They bust up laughing
and join the other boys at the barre.
âWhat?â asks Nathan.
Tommy fills him and the other guys in.
I wonder