panes
make things look ripply
because the glass is curvy,
from 1926,
when the house was built.
I love all Grandpaâs familyâs antiques
that were passed down to him,
like the iron bed
and antique dresser in here.
And now this room,
which used to be the guest one,
looks like mine:
clothes on the floor,
bed unmade,
stuffed animals
lining the wide baseboard,
books overflowing the shelves,
and the giant poster of Mikhail Baryshnikov,
the perfect dancer of all timeâ
and drop-dead gorgeous, Rosella and I say.
This room feels like mine
already.
By the time I double stitch
a torn ribbon on my toe shoe
and snip the loose threads,
Grandpaâs calling me to eat lunch.
The protein bar
should hold me through class.
âYou sure thatâs enough food, Clare?â
âYes,â I say with my mouth full.
If he only knew what Rosella gets by on.
Grandpa pats my back
as I head out the door.
âBye, Clare.
Have a good time.â
I turn and wave until he goes inside.
The air is still cool.
My clogs crunch the fir needles,
sending a Christmas smell
out into the summer air.
I weave through the garden.
I piqué and glissade
where no one can see me.
I jeté around the giant sunflowers.
A chickadee
hops in the birdbath.
One last double pirouette,
and Iâm out the gate,
onto the sidewalk.
Nothing is better
than Grandpaâs garden.
I dig out the dill pickle
I stashed in my bag earlier,
unwrap it,
and take a big bite.
Mmmm.
Not many calories and delicious!
I munch and cut through the alley
behind the bakery and gift shops
to avoid the window shoppers.
I try not to kick up dirt
onto my tights.
I run across Main
when the traffic breaks.
The last bite of pickle
makes me burp garlic.
Up the front staircase,
I pull hard
on one of the heavy wooden doors
and step into the brick conservatory
that pulses with music
and movement.
The door thuds closed.
My heart skips a beat
and is out of sync
with everything around me.
In the foyer
I smooth my hair
and mash my bun
until I feel the bobby pins
jab into my scalp.
Hairspray sticks to my fingers.
I press one stray pin
back into the center.
It pops halfway out again.
I press it in,
but it wonât stay.
I shoulder my bag,
pull the bobby pin all the way out,
pry it open with my teeth,
and shove it into the other side
of my bun.
Sometimes
things donât stay
how you want them.
With a deep breath,
I step into the barre room,
where the adult class teeters
to keep their balance.
The instructor looks over at me.
âAnd hold it, hold it,â
he directs them.
I cast my eyes down
and rush along the opposite wall
to get to the dressing room.
This place has a lousy design.
People are always coming through
at the end of someone elseâs session
to change and get ready for their class.
Everyone knows to scurry by silently.
Even if it is
just the adults.
In the dressing room,
I glance sidelong at Ellen;
sheâs looking at Margot,
whoâs sneaking a peek at that new girl, Devin.
Rosellaâs not here yet.
Except for me and her,
no oneâs really friends
with anyone else.
Ballet students at the conservatory
donât hang out at each otherâs houses
or even call to chat.
The only time we speak
is to ask
to borrow a bandage
or to say, âExcuse me,â
before pushing past.
Everyone is someone
trying to be better
than you.
Itâs risky to make friends.
Or to care.
Rosella and I met
back in kindergarten.
My mom drove me across town
to an uppity preschool.
The only really good thing about it
was Rosella.
Weâve been friends
since the first day.
We both drew ballerinas
in the art corner.
We took classes together for years
at our old ballet school.
Sharing the same dream when youâre kids
is fun.
But here,
everyone is completely serious.
Each person at the conservatory
shares our dream.
Each is a