Night of the Animals Read Free Page A

of depravity.
    But Dr. Bajwa loved on—and in so many degenerate ways—and as far as he was concerned, the regime could top itself. He was well known for his adoration of paper and his unnecessary reminders written in ink on passé sticky notes. He was always handing these to his patients, despite the dozens of Opticalls—the catchall name for audio calls, text messages, and Optispam, sent via WikiNous’s neuro-optical interface—his patients automatically received with every consult. Few, apart from Cuthbert, knew that beneath the quiet, tolerant, papyrophilic surface of the doctor lurked a more swaggering personality.
    Over the previous six months, and well before Cuthbert had got himself stuck beside a green phantom in the hedges, the doctor had developed feelings of both duty and bewilderment when it came to the welfare of this particular addict. Here was a tough old Flōt sot who also showed signs of depersonalization disorder as well as, perhaps, a variety of Cotard’s Syndrome (a delusion in which a patient was convinced she or he is dead). He was, among other things, interesting to Dr. Bajwa. And impossible.
    Cuthbert had spoken to him many times about his delusion of animal telepathy, and Dr. Bajwa, or “Baj,” as friends and regulars called him, would invariably fiddle his fingers, grimace, and proffer one of his beloved English idioms. The doctor was quadralingual, with English, as he saw it, the strangest of the four tongues, but he loved how its scores of idioms put splattering city life into tidy, confident boxes. “I see you’ve really grasped the nettle this time,” he sometimes said to Cuthbert, usually with an expansive grin.
    THE REVELATIONS ABOUT Cuthbert’s animals had begun one morning the previous October. He had been telling Baj about a shambling stroll he’d just taken in Regent’s Park, which encased three sides of the zoo. He’d been stoned on Flōt, as usual, walking on skyscraper legs.
    It was, as it happened, the day of the last performance of the season at the park’s Open Air Theatre, and The Two Gentlemen of Verona was being hastily staged despite the outbreak of raucous protests near the theater. The protestors, who struck Cuthbert as fartoo obstreperous to be Heaven’s Gaters, heckled the wealthy theatergoers by throwing paper balls made of crumpled pages of old mass-market paperback copies of the banned Hamlet . There was a live dog in the production, a badly trained mastiff with droopy flews, and it kept barking incessantly, sometimes nearly howling.
    Wearing tight black garments, keeping hair long and dotted with bioluminescent pearls, and, in a few cases, marking cheeks with tiny black tattoos—like “prison tears” but actually meant to resemble the similarly shaped black warden pears of Worcestershire—the protestors frightened and repulsed Cuthbert, who revered the Crown, but he felt too wobbly to do anything about it, and the dog—those sore-throated, snappy, endless barks!—badly unsettled him.
    Arf! Arf! Arf! Ar-rar-rar-arf!
    â€œWho’s torturing that wammel?” he asked the protestors, yawning. They smiled and ignored him. “Doesn’t anyone have one bit of respect for God’s creatures?”
    Just as he readied to spread himself along an empty bench for a nap, the mysterious, wild cacophony spoke to him.
    â€œEeeeeeegaah raar! Zchaaag!” As he recounted to Dr. Bajwa, the noise actually knocked him onto a bench.
    â€œLike this,” he said. Cuthbert threw himself back in his chair a bit, as if to demonstrate.
    The animals of the Regent’s Park zoo, it seemed, didn’t care for “any Two Gentlemen, ” he said.
    â€œThe dog, and the angry students and all—you see, I think all the noise sort of stirred up the animals in the zoo, you see? That’s my own little theory, that. The theater’s within earshot—of the zoo,