child down the steep incline into the flat glistening mud below close by the ugly rubber doll and there the child flailed her thin naked limbs, on her belly now and her small astonished face in the mud so the cry Momma was muffled and on the bank above the woman fumbled for something—a broken tree limb—to swing at the child for God is a merciful God and would not wish the child to suffer but the woman could not reach the child and so in frustration threw the limb down at the child for all the woman’s calmness had vanished and she was now panting, breathless and half-sobbing and by this time though the ugly rubber doll remained where it had fallen on the surface of the mud the agitated child was being sucked down into the mud, a chilly bubbly mud that would warm but grudgingly with the sun, a mud that filled the child’s mouth, and a mud that filled the child’s eyes, and a mud that filled the child’s ears, until at last there was no one on the spit of land above the mudflat to observe her struggle and no sound but the cries of the affronted crows.
Mudwoman’s Journey. The Black River Café.
October 2002
R eadied. She believed yes, she was.
She was not one to be taken by surprise.
“C arlos, stop! Please. Let me out here.”
In the rearview mirror the driver’s eyes moved onto her, startled.
“Ma’am? Here?”
“I mean—Carlos—I’d like to stop for just a minute. Stretch my legs.”
This was so awkwardly phrased, and so seemingly fraudulent— stretch my legs !
Politely the driver protested: “Ma’am—it’s less than an hour to Ithaca.”
He was regarding her with a look of mild alarm in the rearview mirror. Very much, she disliked being observed in that mirror.
“Please just park on the shoulder of the road, Carlos. I won’t be a minute.”
Now she did speak sharply.
Though continuing to smile of course. For it was unavoidable, in this new phase of her life she was being observed.
T he bridge!
She had never seen the bridge before, she was sure. And yet—how familiar it was to her.
It was not a distinguished or even an unusual bridge but an old-style truss bridge of the 1930s, with a single span: wrought-iron girders marked with elaborate encrustations of rust like ancient and unreadable hieroglyphics. Already M.R. knew, without needing to see, that the bridge was bare planking and would rattle beneath crossing vehicles; all of the bridge would vibrate finely, like a great tuning fork.
Like the bridges of M.R.’s memory, this bridge had been built high above the stream below, which was a small river, or a creek, that flooded its banks after rainstorms. To cross the bridge you had to ascend a steep paved ramp. Both the bridge and the ramp were narrower by several inches than the two-lane state highway that led to the bridge and so in its approach to the bridge the road conspicuously narrowed and the shoulder was sharply attenuated. All this happened without warning—you had to know the bridge, not to blunder onto it when a large vehicle like a van or a truck was crossing.
There was no shoulder here upon which to park safely, at least not a vehicle the size of the Lincoln Town Car, but canny Carlos had discovered an unpaved service lane at the foot of the bridge ramp, that led to the bank of the stream. The lane was rutted, muddy. In a swath of underbrush the limousine came to a jolting stop only a few yards from rushing water.
Some subtle way in which the driver both obeyed his impulsive employer, and resisted her, made M.R.’s heart quicken in opposition to him. Clearly Carlos understood that this was an imprudent stop to have made, within an hour of their destination; the very alacrity with which he’d driven the shiny black limousine off the road and into underbrush was a rebuke to her, who had issued a command to him.
“Carlos, thank you. I won’t be a—a minute . . .”
Won’t be a minute. Like stretch my legs this phrase sounded in her ears forced and alien to her,