are in your bed?â the woman asked.
âYes.â
âWhat sort of nonsense is that?â
âI donât know.â
âAnd if someone isnât in your bed you donât dream about her.â
âNever.â
At that point a fat, rather elegant girl came up to him, there in the Laundromat, and she handed him a cell phone.
âItâs for you,â she said.
Jasper Gwyn took the phone.
7
âJasper! Did you put in the fabric softener?â
âHello, Tom.â
âAm I disturbing you?â
âI was writing.â
âBingo!â
âNot in that sense.â
âI donât find that there are many senses, if someone is a writer he writes, thatâs it. I told you, no one really succeeds in stopping.â
âTom, Iâm in the Laundromat.â
âI know, youâre always there. And at home you donât answer.â
âBooks arenât written in a Laundromat, you know, and anyway I wouldnât write them.â
âBullshit. Come clean. What is it, a story?â
The laundry was still in prewash, and there was no one leafing through magazines. So Jasper Gwyn thought he could try to explain. He told Tom Bruce Shepperd that he liked lining up words, and forming sentences, the way he might crack his knuckles. He did it in the closed space of his mind. It relaxed him.
âFantastic! Iâll come there, you speak, I record, and the book is done. You wouldnât be the first to use a system like that.â
Jasper Gwyn explained to him that they werenât even stories, they were fragments, without a before and without an afterâreally, they could hardly even be called scenes.
âBrilliant. Iâve already got the title.â
âDonât tell me.â
â Scenes from Books that I Will Never Write .â
âYou told me.â
âDonât move, I have to take care of two things and Iâll be there.â
âTom.â
âTell me, brother.â
âWho is this elegant girl here?â
âRebecca? Sheâs new, very good.â
âWhat does she do besides carry around a cell phone in Laundromats?â
âSheâs learning, you have to begin somewhere.â
Jasper Gwyn thought that if there was one thing he didnât like about having stopped being a writer it was that he would no longer have any reason to work with Tom Bruce Shepperd. He thought that one day Tom would stop following him around with his phone calls, and that would be a bad day. He wondered if it wouldnât be right to tell him. There, in the Laundromat. Then he had a better idea.
He closed the phone and nodded to the fat girl, who had moved a few steps away, out of politeness. He noticed that she had a very beautiful face, and, besides, she limited the damage by choosing her clothes well. He asked her if he could give her a message for Tom.
âOf course.â
âBe so kind then as to tell him that I miss him.â
âOf course.â
âI mean that sooner or later heâll stop bothering me wherever I go, and Iâll feel the same relief you feel when youâre in a room and the refrigerator motor stops, but also the same inevitable dismay, and the sensation, which you surely know, of not being certain what to do with that sudden silence, and maybe not, ultimately, being equal to it. Do you think you understand?â
âIâm not sure.â
âWould you like me to repeat it?â
âMaybe I should take notes.â
Jasper Gwyn shook his head. Too complicated, he thought. He opened the phone again. Tomâs voice arrived. Exactly how those gadgets functioned he would never understand.
âTom, be quiet a second.â
âJasper?â
âI want to tell you something.â
âShoot.â
He told him. About the business of the refrigerator and all the rest. Tom Bruce Shepperd coughed and was silent for a few seconds, something he never