a chickenshit reason. He needed to man up and make the trip, although he couldnât expect vacation days for a while if he was about to start a new job.
Climbing into his truck, he drove behind the bunkhouse and hitched up Douglasâs trailer. Then he took a moment to call his buddy at the Bar Z to make sure spending the night there was still an option. Tomorrow Cade would talk to the owner about a job, and with luck heâd be employed again in no time. That was important, especially when he had another mouth to feed.
Convincing Thornwood to sell had been the easy part of this rescue operation. Now he had to get that high-strung horse in the trailer. The previous owner, the one whoâd mishandled Hematiteâs training, had given him a heavy-duty tranquilizer so heâd load. The drugged horse had staggered down the ramp the day heâd arrived.
This time Hematite would have to load and unload cold turkey. Cade considered that as he drove his truck around to the front of the barn. Lowering the ramp, he paused and took several deep breaths before going back into the barn.
His behavior would influence the horse, so the calmer he stayed, the better chance heâd have of keeping Hematite mellow. He visualized the horse walking quietly out of his stall, down the wooden aisle of the barn, then moving up into the trailer without hesitation.
Grabbing the rattiest-looking lead rope from the tack room, he started toward Hematiteâs stall. The horse watched him, ears pricked forward. Cade usually saved his next technique for when he was alone with a horse. Nobody else was in the barn, so he began singing â Red River Valley.â Thanks to his time at Thunder Mountain Ranch, he had a whole repertoire of campfire songs, and normally they worked like a charm to settle nervous horses.
Heâd only sung to Hematite a couple of times, though. They hadnât developed a singing routine, but at this point anything was worth a try. He continued the sweet love song as he unlatched the stall door and stepped inside.
Hematite snorted and edged away. Still singing, Cade approached and managed to clip the lead rope onto the horseâs halter. Then he turned and walked out of the stall as if he thoroughly expected Hematite to follow him, no questions asked. The horse did.
Cade finished â Red River Valleyâ and moved on to â Tumbling Tumbleweeds.â He sang in rhythm with the steady clip-clop of Hematiteâs hooves on the barn floor. Meanwhile he continued to visualize a smooth entrance into the horse trailer.
Out the barn door. Up the ramp. Cade kept singing. About three minutes later, the horse was loaded and the trailer doors secured. Cade stood there grinning and shaking his head in disbelief. That horse would be serenaded from now on.
âThatâs about the slickest thing I ever did see.â Douglas came toward him from the direction of the house. âWere you
singing
to that animal?â
âUm, yeah.â Cade chuckled. âIf you use the term loosely.â
âYouâre no George Strait, but at least I could recognize the tune. Iâve heard of using songs to calm a herd of cattle, but I never thought of trying it with horses. How long you been doing that?â
âThree or four years, I guess.â
âNo kidding. Howâd you come up with it?â
âBy accident. One day I was riding along, humming to myself for some reason, and I could feel my horse relax. So then I tried humming when I worked with a problem horse, and that seemed to help. I donât know if singing is any better than humming, but itâs more interesting for me.â
âIâll be damned.â Douglas rubbed a hand over his jaw. âIâll just have to try it. Although I sound like a mating bullfrog, so it might not work for me. Canât believe Iâve known you for almost two years and never realized you were a singing cowboy.â
Cade laughed.
Christopher Knight, Alan Butler