overcome by some tremendously powerful urge, for the chilly air was as thick with their need as with fog and darkness.
One of them pushed her face deeper into the wet sand, and the water was all around her now, only inches deep but enough to drown her, and they wouldn’t let her breathe. She knew she was going to die, she was pinned now and helpless, going to die, and all because she liked to run at night.
2
On Monday, October 13, twenty-two days after the death of Janice Capshaw, Sam Booker drove his rental car from the San Francisco International Airport to Moonlight Cove. During the trip, he played a grim yet darkly amusing game with himself, making a mental list of reasons to go on living. Although he was on the road for more than an hour and a half, he could think of only four things Guinness Stout, really good Mexican food, Goldie Hawn, and fear of death.
That thick, dark, Irish brew never failed to please him and to provide a brief surcease from the sorrows of the world. Restaurants consistently serving first-rate Mexican food were more difficult to locate than Guinness; its solace was therefore more elusive. Sam had long been in love with Goldie Hawn—or the screen image she projected—because she was beautiful and cute, earthy and intelligent, and seemed to find life so much damn fun. His chances of meeting Goldie Hawn were about a million times worse than finding a great Mexican restaurant in a northern California coastal town like Moonlight Cove, so he was glad that she was not the only reason he had for living.
As he drew near his destination, tall pines and cypresses crowded Highway 1, forming a gray-green tunnel, casting long shadows in the late-afternoon light. The day was cloudless yet strangely forbidding; the sky was pale blue, bleak in spite of its crystalline clarity, unlike the tropical blue to which he was accustomed in Los Angeles. Though the temperature was in the fifties, hard sunshine, like glare bouncing off a field of ice, seemed to freeze the colors of the landscape and dull them with a haze of imitation frost.
Fear of death. That was the best reason on his list. Though he was just forty-two years old—five feet eleven, a hundred and seventy pounds, and currently healthy—Sam Booker had skated along the edge of death six times, had peered into the waters below, and had not found the plunge inviting.
A road sign appeared on the right side of the highway: OCEAN AVENUE, MOONLIGHT COVE, 2 MILES.
Sam was not afraid of the pain of dying, for that would pass in a flicker. Neither was he afraid of leaving his life unfinished; for several years he had harbored no goals or hopes or dreams, so there was nothing to finish, no purpose or meaning. But he was afraid of what lay beyond life.
Five years ago, more dead than alive on an operating-room table, he had undergone a near-death experience. While surgeons worked frantically to save him, he had risen out of his body and, from the ceiling, looked down on his carcass and the medical team surrounding it. Then suddenly he’d found himself rushing through a tunnel, toward dazzling light, toward the Other Side the entire near-death cliche that was a staple of sensationalistic supermarket tabloids. At the penultimate moment, the skillful physicians had pulled him back into the land of the living, but not before he had been afforded a glimpse of what lay beyond the mouth of that tunnel. What he’d seen had scared the crap out of him. Life, though often cruel, was preferable to confronting what he now suspected lay beyond it.
He reached the Ocean Avenue exit. At the bottom of the ramp, as Ocean Avenue turned west, under Pacific Coast Highway, another sign read MOONLIGHT COVE 1/2 MILE.
A few houses were tucked in the purple gloom among the trees on both sides of the two-lane blacktop; their windows glowed with soft yellow light even an hour before nightfall. Some were of that half-timbered, deep-eaved, Bavarian architecture that a few builders, in the