singular approach which was to amuse the serious for several decades. Led by artists, the intellectuals voiced their guilt at innumerable cocktail parties where it was accepted as an article of faith that each had a burden of guilt which could, once recognized, be exorcised; the means of recognition were expensive but rewarding: a trained and sympathetic listener would give the malaise a name and reveal its genesis; then, through confession (and occasionally "reliving") the guilt would vanish along with asthma, impotence and eczema. The process, of course, was not easy. To facilitate therapy, it became the custom among the cleverer people to set aside all the traditional artifices of society so that both friends and strangers could confess to one another their worst deeds, their most squalid fantasies in a series of competitive monologues conducted with arduous sincerity and surprisingly successful on every level but that of communication.
I am sure that this sort of catharsis was not entirely valueless: many of the self-obsessed undoubtedly experienced relief when dispensing secrets . . . it was certainly an instructive shock for them to find that even their most repellent aberrations were accepted quite perfunctorily by strangers too intent on their own problems to be outraged, or even very interested. This discovery was not always cheering. There is a certain dignity and excitement in possessing a dangerous secret life. To lose it in maturity is hard . . . and once promiscuously shared, it does become ordinary, no more troublesome than obvious dentures.
Many cherished private hells were forever lost in those garrulous years and the vacuum each left was invariably filled with a boredom which, in its turn, could only be dispelled by faith. As a result, the pursuit of the absolute, in one guise or another, became the main preoccupation of these romanticists who professed with some pride a mistrust of the reason, derived quite legitimately from their own stunning incapacity to assimilate the social changes created by machinery, their particular Lucifer. They rejected the idea of the reflective mind, arguing that since both logic and science had failed to establish the first cause of the universe or (more important) humanity's significance, only the emotions could reveal to us the nature of reality, the key to meaning. That it was actually no real concern of this race why or when or how the universe came into being was an attitude never, so far as I can recall, expressed by the serious-minded of the day. Their searching, however, was not simply the result of curiosity; it was more than that: it was an emotional, senseless plunging into the void, into the unknowable and the irrelevant. It became, finally, the burden of life, the blight among the flowers: the mystery which must be revealed, even at the expense of life. It was a terrible crisis, made doubly hard since the eschewal of logic left only one path clear to the heart of the dilemma: the way of the mystic, and even to the least sensible it was sadly apparent that, lacking a superior and dedicated organization, one man's revelation is not apt to be of much use to another.
Quantities of venerable attitudes were abandoned and much of the preceding century's "eternal truths and verities" which had cast, rock-like, so formidable and dense a shadow, were found, upon examination, to be so much sand, suitable for the construction of fantastic edifices but not durable, nor safe from the sea's tide.
But the issue was joined: dubious art was fashioned, authorities were invoked, dreams given countenance and systems constructed on the evidence of private illumination.
For a time, political and social action seemed to offer a way out, or in. Foreign civil wars, foreign social experiments were served with a ferocity difficult to comprehend; but later, when the wars and experiments went wrong, revealing, after such high hopes, the perennial human inability to order society, a