saffron silk and decorated with a faint design, but over this kirtle, whose tight sleeves, collar and hem are visible, she wears a cote-hardie of cocoa-brown velvet whose bodice is of gold brocade and laced up the front from the waist to the softly curving, now much blood-spattered neckline.â
The cote-hardie had sleeves that came only to above the elbows and were piped with gold brocade. At the hem, it was cut jaggedly so that upwardly-narrowing wedges of the saffron underdress would show through to a height of about thirty centimetres.
The shoes were as no others Kohler had seen except in museum collections. They had no heels, no laces either, and were like modestly pointed slippers of fine black kid, and they fitted perfectly, as did the rest of her costume.
âIt isnât right, Louis. Itâs too weird for me. Her beltââ
âThe girdle, yes.â
Of exceedingly fine suede, the belt was studded with silver and gold, with brooches and pins of emerald, lapis lazuli, amber and moonstone. And this cometâs tail of trinkets began high on the left hip, falling to well below the right hip, in the fashion of the times.
âThere are tiny silver bells,â managed Kohler, forcing himself to ignore the wound. âThere are little silver and gold buttons. Thereâs aââ
âThe âbuttonsâ are enseignes â signs. But among them there are also talismans which were to ward off evil and disease. The bells were to frighten away the devil.â
âThe purse wasnât taken.â
âHer aumônière sarrasine . It probably contains the alms she would willingly have handed to the beggars in the streets had she lived back then.â
Everything was as it once must have been. The purse was richly embroidered with silver thread â¦
âThe wound is from the left to the right,â muttered Jean-Louis and, losing himself in that moment, said, âExcuse me, mademoiselle, but I must bring the light closer now just for a little.â
Concern and sympathy moistened Louisâs brown eyes. The Sûreté used a pair of tweezers to gently prise the edge of the cloak away from where it had become stuck. âStrength,â he grimaced. âThe one who did this has slaughtered sheep, Hermann. A ruthless cut and done continuously. One motion ⦠and held against the assailant, her back suddenly arched. Something wide, something curved. Ah merde , could it be? Please look for the cork from an old wine bottle. Itâs just a thought.â
Please leave me to talk to her.
Rigor would have set in from perhaps two to four hours afterwards, thought St-Cyr, but if she had been running through this empty place, her muscles would have been under extensive exertion and it could then have come on immediately.
The wretched frost of one of the coldest winters on record would prolong it.
Rigor there was. The fingers which clasped her little treasure would have to be broken.
âThereâs a wine cork, Louis. Maybe he flung it aside and didnât give a damn if we found it.â
âIâm not so sure it was a he, are you?â
âNot really, but with a wound like that â¦â
âThere are bits of dried lavender on the floor, Hermann. Whoever did this also forgot to remove them.â
âLavender?â
âNot from her person. Also winter grass and thyme.â
âA shepherd?â
âOr one who has to daily gather feed for rabbits and chickens.â
âA sickle, then, with a cork to protect its tip when not in use,â sighed Kohler. Louis had made a point of doing comparative studies of wounds in his early days as a detective. âDead how long, Chief?â
âAt least twenty-four hours. The coroner can, perhaps, be more positive about it and the weapon. Weâll have to ask for Peretti. I want none of the préfetâs interfering, none of the bishopâs and certainly none of the