watching them fondly. Charles had become idiotic in the last two years. Lucile had charm and very good manners, but she was neither a beauty nor an intellectual phenomenon. Nor was Antoine, for that matter. She had had other men better looking than Antoine, and mad about her. Yes, mad. But it was Antoine that she loved. She loved him, she wanted him to love her, and someday she would have him at her mercy. He would forget that dear, departed actress and she, Diane, would be everything to him. Sarah ... how often she had heard that name: Sarah. He had spoken of her at first, until one day, exasperated, she had told him that Sarah had been unfaithful to him, that everyone knew. He had said blankly: 'I knew it too.' And they had never mentioned her name again. But he whispered it in his sleep. Soon ... soon, when he turned over in his sleep and stretched his arm over her body in the dark, it would be her own name he would whisper. Suddenly, she felt her eyes fill with tears. She began to cough and Charles patted her gently on the back. This dinner seemed endless. Claire Santrè had drunk a little too much, as happened to her more and more frequently. She discussed paintings with an assurance that far surpassed her knowledge, and Johnny, a connoisseur, was visibly suffering.
'Well,' said Claire in conclusion, 'when this young fellow showed up with that thing under his arm, when I turned it to the light, thinking my sight was failing me, do you know what I said?'
The guests wearily shook their heads.
'I said: "Monsieur, I thought I had eyes to see with, but I was mistaken; I see nothing on your canvas, Monsieur, absolutely nothing." '
And with an eloquent gesture, no doubt intended to illustrate the picture's emptiness, she upset her wine glass on the tablecloth. Everybody seized the opportunity to get up, Lucile and Antoine with heads lowered to hide their uncontrollable laughter.
CHAPTER FOUR
There can never be enough said of the virtues, the dangers, the powers of a shared laugh. Love can no more do without it than can friendship, desire or despair. Between Antoine and Lucile, it was the impromptu laugh of students. The two of them, desired, pampered, loved by serious adults, knowing they would be punished in one way or another, gave in to their helpless laughter in a corner of the drawing-room. Parisian etiquette, even if it separates lovers during dinner, nonetheless calls for a short truce afterward, when one recovers his bedmate for an exchange of gossip, loving words or reprovals. Diane waited for Antoine to rejoin her and Charles had already taken the first step in Lucile's direction. But the latter obstinately continued to look out the window, her eyes filled with tears, and the moment her glance fell upon Antoine standing nearby, she quickly turned away while he hid his face behind a handkerchief. Claire tried to ignore them, but it was evident that an atmosphere of jealousy and rancour now dominated the drawing-room. She sent Johnny on his way with a nod of her head that signified 'tell those children to behave themselves or they won't be invited again', a nod of the head that, unfortunately, was seen by Antoine who, overcome anew, was forced to prop himself against the wall. Johnny assumed a gay expression:
'For Heaven's sake, tell me what it's all about, Lucile, I'm dying of curiosity.'
'Nothing,' said Lucile. 'nothing, absolutely nothing, that's what makes it so terrible.'
'Terrible,' echoed Antoine.He was completely dishevelled, youthful, splendid, and Johnny felt a moment of violent desire.
But Diane arrived. She was angry and anger was becoming to her. Her superb bearing, her celebrated green eyes, her extreme slenderness made her a spirited war horse.
'What can you have found to say to each other that is so funny?' she asked in a voice tinged with doubt and indulgence, but especially doubt.
'Us? Oh, nothing,' said Antoine innocently. And the 'us' that she had never obtained from him for any project,