Knight's Gambit Read Free Page A

eight feet of the negro’s chair unless he followed the passage to where it made an L beneath the single window in the office, and climbed through that window.) For no man or woman had ever passed that chair without seeing the wrinkled eyelids of its occupant open instantaneously upon the brown, irisless eyes of extreme age. Now and then we would stop and talk to him, to hear his voice roll in rich mispronunciation of the orotund and meaningless legal phraseology which he had picked up unawares, as he might have disease germs, and which he reproduced with an ex-cathedra profundity that caused more than one of us to listen to the Judge himself with affectionate amusement. But for all that he was old; he forgot our names at times and confused us with one another; and, confusing our faces and our generations too, he waked sometimes from his light slumber to challenge callers who were not there, who had been dead for many years. But no one had ever been known to pass him unawares.
    But the others in the room watched Stevens—the jury about the table, the two brothers sitting at opposite ends of the bench, with their dark, identical, aquiline faces, their arms folded in identical attitudes. ‘Are you contending that Judge Dukinfield’s slayer is in this room?’ the Foreman asked.
    The county attorney looked at them, at the faces watching him. ‘I’m going to contend more than that,’ he said.
    ‘Contend?’ Anselm, the younger twin, said. He sat alone at his end of the bench, with the whole span of bench between him and the brother to whom he had not spoken in fifteen years, watching Stevens with a hard, furious, unwinking glare.
    ‘Yes,’ Stevens said. He stood at the end of the table. He began to speak, looking at no one in particular, speaking in an easy, anecdotal tone, telling what we already knew, referring now and then to the other twin, Virginius, for corroboration. He told about Young Anse and his father. His tone was fair, pleasant. He seemed to be making a case for the living, telling about how Young Anse left home in anger, in natural anger at the manner in which his father was treating that land which had been his mother’s and half of which was at the time rightfully his. His tone was quite just, specious, frank; if anything, a little partial to Anselm, Junior. That was it. Because of that seeming partiality, that seeming glozing, there began to emerge a picture of Young Anse that was damning him to something which we did not then know, damned him because of that very desire for justice and affection for his dead mother, warped by the violence which he had inherited from the very man who had wronged him. And the two brothers sitting there, with that space of friction-smooth plank between them, the younger watching Stevens with that leashed, violent glare, the elder as intently, but with a face unfathomable. Stevens now told how Young Anse left in anger, and how a year later Virginius, the quieter one, the calmer one, who had tried more than once to keep peace between them, was driven away in turn. And again he drew a specious, frank picture: of the brothers separated, not by the living father, but by what each had inherited from him; and drawn together, bred together, by that land which was not only rightfully theirs, but in which their mother’s bones lay.
    ‘So there they were, watching from a distance that good land going to ruin, the house in which they were born and their mother was born falling to pieces because of a crazed old man who attempted at the last, when he had driven them away and couldn’t do anything else to them, to deprive them of it for good and all by letting it be sold for nonpayment of taxes. But somebody foiled him there, someone with foresight enough and self-control enough to keep his own counsel about what wasn’t anybody else’s business anyway so long as the taxes were paid. So then all they had to do was to wait until the old man died. He was old anyway and, even if he