Hall’s legendary age, its stonework was still clean and sharp, the creamy stone untouched by time or erosion or the ravages of weather. The huge building could have been built just yesterday. Griffin Hall, like the family it protected, was also immortal, untouched, unchanging.
I stood before the door, carefully pronounced the passWords I’d been given, and rapped firmly with the old-fashioned brass knocker. The sound seemed to echo on and on beyond the door, as though travelling unimaginably long distances. After letting me wait a suitable time, the door swung smoothly and silently open, to reveal the butler standing solemnly before me. He had to be the butler. Only a butler can look down his nose at you while remaining impeccably polite and courteous. I think they teach them that on the first day at butler training school. Certainly there’s no bigger snob than a servant of long standing.
“I’m John Taylor,” I said.
“Of course you are, sir.”
“Jeremiah Griffin is expecting me.”
“Yes, sir. Do come in.”
He stepped back only enough to let me get past, so I made a point of stepping heavily on his perfectly polished shoes. He closed the door, then inclined his head to me in what was almost a bow, but not quite.
“Shall I summon a servant to take your trench coat, sir? We could have it cleaned.”
“No,” I said. “It goes everywhere with me. It’d be lost without me.”
“Indeed, sir. I am Hobbes, the Griffin family butler. If you would care to follow me, I will escort you into the master’s presence.”
“Works for me,” I said.
Hobbes led the way through the huge entrance lobby and down a long hallway, back stiff, chin up, not even bothering to check if I was following. It probably never even occurred to him that I wouldn’t be. So I strolled along, a few paces behind, deliberately slouching with both hands in my coat-pockets. You learn to take your little victories where you find them. The hallway was big enough to drive a train through, lit by a warm golden glow that seemed to come from everywhere and nowhere. Typical supernatural track lighting. I had a good look round, refusing to allow Hobbes to dictate the pace. I was genuinely interested. Not many people get to see the inside of Griffin Hall, and most of them had the decency and common sense to keep quiet about what they saw. But I’ve never been big on either. I was pretty sure I could make a tasty sum selling a detailed description to the Gracious Living section of the Night Times.
But…I have to say, I wasn’t that impressed. The hallway was big, yes, but you soon got over that. The gleaming wooden floor was richly waxed and polished, the walls were brightly painted, and the high ceiling was decorated with a series of tasteful frescoes…but there were no standing suits of armour, no antique furnishings, no great works of art. Just a really long hallway with an endless series of paintings and portraits covering both walls. All of them depicting Jeremiah Griffin and his wife Mariah, in the fashions and styles of centuries past. Paintings hundreds of years old, celebrating two people who were probably even older. From formal stylised portraits where they both wore ruffs and the obligatory unsmiling expressions, through dozens of kings and more Parliaments, from Restoration to Edwardian and beyond. Some by artists so famous even I recognised them.
I spent so long admiring a Rembrandt that Hobbes had to come back and hover over me, clearing his throat in a meaningful manner. I turned to give him my full attention. Hobbes really was the archetypal butler, upright and stern in his formal black-and-white Victorian outfit. His hair was jet-black and so were his eyes, though his tightlipped mouth was so pale as to be almost colourless. He had a high-boned face, and a long, pointed chin you could use to get pickles out of a jar. He should have been amusing, an anachronism in this modern day and age, but behind the arrogant