its discouragement. It says: Don’t waste your time—there’s nothing here for you, nothing at all, nothing for anybody. I don’t say it’s bad, mind you. Only I put it to you that you ignore it. It leads to a kind of nowhere, in the long run. Come and have a look at the disused graveyard near Aybrook Street? But now, having got the hang of this little game of reverse-compulsion, you go right on, straight ahead, past the hotels for men only, past the secondhand box-mattress shops, and the bituminous hole-in-the-wall where a man and his wife, black as demons, sell coal and coke by the pound, until you arrive at the tobacco factory at Mornington Crescent which used to be a Dream Factory because it was constructed in imitation of an ancient Egyptian temple. Here, two colossal plaster cats brood over the mouse-nibbled and rat-gnawed squares off Great College Street, which leads via the observation wards of the lunatic asylums back to Somers Town and Euston again. Between lies a hinterland of working men’s colleges, railway clearing houses, infirmaries, the Working Women’s Hospital, the Urino-Genital Hospital (better known as the Junior Sportsmen’s Club), a group of secondhand florists who make up cheap wreaths and crosses, and—between cafes—secondhand clothes shops where old women who mutter behind their hands sell for beer money the night dresses their neighbors have saved to be buried in.
And this will never do, because it leads toward an awareness of life and death, may interest you in something. Even in the thrice-discarded detritus of the lowest of the low hereabout, the most discouraged imagination may find something to peck up and thrive on. On the other hand, behind the cigarette factory lurk those who wait in darkness—men who whistle after girls, and prowl Primrose Hill and Haverstock Hill in furtive groups. They believe that tobacco dust inflames the pudenda of the cigarette-makers, so that all they need do is shout,” ‘Ello, Betsy! Are yer bowels open?’tomake an amorous overture. Here again the city tries to persuade you to stop. But if you know how to interpret a squeeze and translate the flicker of a muscle—having Fowlers End in mind—you will keep your eyes on the Cobden Statue and go ahead up Camden High Street toward the Camden Road, and so to Holloway, where the jail is; and past the allurements of this enclosed space through the perpetual twilight of the Seven Sisters Road, which takes you to Tottenham, where the only attraction is the Isolation Hospital for Infectious Diseases. Do not be led astray by this; go north to Edmonton and to Ponders End. Who Ponder was and how he ended, the merciful God knows. Once upon a time it was a quagmire; now it is a swamp, biding its time. Further yet, bearing northeast, lies a graveyard of broken boilers and rusty wheels called Slabsbridge, where creatures that once were men live in abandoned railway carriages. Between Slabsbridge and Uttermost there sprawls Fowlers Folly—someone of this name tried to build a tower there in 1790. He believed that the end of the world was at hand. Some vestige of the ruin remains. Only a mile farther on,where the ground, rising, is a little drier, is Fowlers End.
Here the city gives up the game.
This is it.
Fowlers End is a special kind of tundra that supports nothing gracious in the way of flora and fauna. Plant a cabbage here in this soured, embittered, dyspeptic, ulcerated soil, and up comes a kind of bleached shillelagh with spikes on its knob. Plant a family, a respectable working-class family, and in two generations it will turn out wolves. Fowlers End is barren of everything but weeds. Even the dogs are throwbacks to their yellow-eyed predatory ancestors that slunk in the trail of the sub-men and ate filth. There is a High Street about a hundred yards long, and the most woebegone railway terminal on the face of the earth where, with a dismal and sinister smashing and groaning of shunting locomotives, all