that is most unserviceable in the way of rolling stock comes in with coal and sulphur, scrap iron and splintery timber, and goes away with the stuff they make in the Fowlers End factories.
As Sam Yudenow said, there is a steel-tube factory and a glass factory. There is a sulphuric-acid factory which looks like a Brobdingnagian assembly of alchemical apparatus out of a pulp writer’s nightmare as it sprawls under a cloud of yellow and black that shudders and stings like a dying wasp between great hills of green-black and gray-mauve slag. When it rains—which it doesn’t have to, because more water comes out of the ground than goes into it—some of the atmosphere comes down in a saturated solution, so that the hobnails in the soles and the iron crescents in the heels of the boots of the inhabitants are corroded in three days; and then, until they can raise the price of a re-studding job, they have nothing left to argue with but their hands and knees. The top of the War Memorial—the bronze sword of which was stolen and sold for scrap the night before itwas unveiled—is already eroded, so that instead of looking like the ancient Roman gallows it resembles, rather, the old-fashioned English gibbet. Fowlers End got this monument by a bureaucratic error: only four Fowlers Enders died in the first World War, and one of these was shot for cowardice in the face of the enemy in 1916, so that, hard up for names to carve on its Roll of Honor, Fowlers End went over the Hertfordshire border three miles away and helped itself to fifty-six names out of the old graveyard at Ullage. Ever since then there has been bad blood between the people of these two places. Sometimes, generally on a Saturday night, the young men—women, too, and they are the worst of the lot—make up raiding parties and go out for mayhem and the breaking of windows. They always concentrate on the solar plexus, the seat of the soul, of each other’s community—which is, of course, the local cinema. The men of Fowlers End have bankrupted five successive proprietors of the Ullage Hippodrome and sent several managers to the Bloodford Cottage Hospital with broken bones. As I was to learn shortly after I went to work in Fowlers End, the Ullage men were in arrears. They owed us two roughhouses and were biding their time.
Meanwhile the young bloods of Fowlers End were strutting, in their indescribably repulsive hangdog, drag-heeled way, in the High Street. And what a High Street it was, in my time! Except for a few clumps of rusty television antennae, I don’t imagine that the place will have changed much unless some German bomb, well placed for once, happened to fall nearby—in which case, good riddance to it! It wouldn’t have taken much more than a five-hundred-pounder to make rubble of the entire High Street, which, when I last measured it when I stepped out of the Pantheon to clear my lungs with a whiff of comparatively healthful carbon monoxide and sulphuric acid after a Children’s Matinee, measured exactly eighty-five long paces from God-bolts Cornerto the end of the tram line where Fowlers End begins. And, bestially primitive as this cloaca of a street is, it must needs have two or three vermiform appendices, blind alleys! One of these was Godbolts, where the Pantheon stood. It was named after the real-estate magnate and general capitalist, a pious man who kept Godbolts Emporium on the other side of the street. He was a quick, hideously ugly little man, cold and viscous about the hands, with a gecko’s knack of sticking to plane surfaces. Once, when I went into his shop to buy a handkerchief, Godbolt, telling me that he didn’t have much call for that kind of thing nowadays but thought he had a few in stock, went to get one from a high shelf. It may have been the effect of the fog but I will swear I saw him run up the wall. He had a black-cotton fly of a wife who was always buzzing at him from a distance; she never came within less than five feet of