blowing gashes in the drywall.
The cat must have escaped, because when the shooter staggered into camera view again, his arrogance had crumpled into misery. He stared at the lens, shoulders weighted with doom, bitter tears muddying his eyes, and he jammed the pistol against his temple.
âYou worthless punk,â he snarled at the camera. âJerry Cox canât even kill a freaking cat. A freaking alley cat. Jerryâs a scum-sucking dumb-ass bastard shit-for-brains. Canât even kill a freaking freaking cat.â
Charlotte knew he wasnât going to shoot himself. The kid was spent. His eyes were dark vacuums, mouth slack, disgusted by his own grim appetites, his abject failure to accomplish a simple chore. For two or threeseconds the boy struggled to pull the trigger, then he lowered the pistol and trudged to the camera and switched it off.
Maybe the kid had wanted to be a voyeur of his own cruelty, or perhaps the tape was meant to win him admission into some ruthless cult of juveniles. Either way, the event turned out to be merely a testament to the boyâs utter ineptitude.
The screen went black and Charlotte sagged in the padded chair.
In the observation room, she heard voices, then the door between the rooms opened.
âI should get fifty percent for the last one,â she said without turning from the empty screen. âHe shot at the cat, but didnât shoot himself.â
Dr. Fedderman was silent. She could feel him looking at her. When he spoke, his voice was huskier than it had been earlier in the day.
âWhen you voted no, you were reacting to the scene with the cat. You had no way to know the young man was going to consider suicide. This will count as an incorrect result.â
âHey, relax, Doc. Iâm just kidding around with you.â
âOh,â Fedderman said. âI see.â
âWhyâre you so upset? Am I making you mad for some reason?â
She swiveled her chair to catch his face. The room was still dim. Only the weak glow of the blank screen. Fedderman was a short, sleek man with a shaved head and a goatee. For two weeks heâd worn black turtlenecks and sharply creased blue jeans. Nobody in Miami wore black turtlenecks. Like heâd been time-warped in from a fifties Bleecker Street coffeehouse. Him and his bongo drums.
âAnd why would I be angry at you, Officer Monroe?â
âMaybe because Iâm doing too well. Beating the averages.â
âItâs research. I have no vested interest in any particular outcome.â
âWhat about the software youâre peddling?â
âYouâre participating in a clinical trial. All data is useful.â
âBut if I keep beating your program, then your system isnât as amazing as you say. Some ordinary patrol officer can do better, why should a department shell out the cash? Isnât that why youâre pissed?â
He stared at the empty screen and spoke with what was probably meant to sound like scientific detachment.
âMs. Monroe, so far youâve produced fine results. They may turn out to be a statistical anomaly or they may not. If you continue to score this well over a longer period, then weâll seek to explain how you accomplish these feats, and that information will help us refine our program. Thatâs the purpose of these experiments. Data collection. It is certainly not my intent to try to prove the superiority of my software over ordinary people.â
âYour throatâs tight. Thereâs a squeak in your voice. Youâre pissed.â
He shifted his gaze and gave her a bleak appraisal. This was a man who knew the name and function of every muscle strand in the face and had learned through arduous practice how to tighten or relax them in every possible combination to signal the entire range of human emotions. Thousands upon thousands of expressions with only the subtlest differences among them.
Facial coding, it was