didnât realize you had a headache.â
âI donât, I just . . .â
âIs it a law, in England, not to finish your sentences?â he snapsâthen instantly regrets the flare of temper. Heâs simply not used to this kind of frustration.
She grins. âAha! There you are.â
âWhat? Of course here I am.â
âNo, I mean, you . Like, the real you, not this cheesy romance bullshit. The you from last night.â
âExcuse me, cheesy romance bullshit?â
âFlowers, candlelight, champagne, violin music? A necklace, for a girl youâve just met? I donât know what kind of girls you usually date, but . . .â
He dates girls who like âcheesy romance bullshitâ and the rewards that come with it. These are the kinds of girls who want to date a Tlalocâat least a Tlaloc who looks like him. These are the girls who wonât ask hard questions or make demands he prefers not to fulfill.
âAnd what kind of girl are you , Alicia? What would you prefer to do?â
âHow about talk ?â she says. âYou could tell me about yourself.â
He shrugs. âThereâs nothing to tell.â
âYou go to school?â
âSure,â he lies. âWho doesnât? Junior yearâs a bitch.â
âSATs, picking colleges, all that, right?â she says.
He nods like he knows what sheâs talking about. Jagoâs life doesnâtresemble that of the teenagers he sees on TV. Heâs been homeschooled for his entire life, taught by tutors and physical trainers behind the walls of his familyâs gated estate, trained not for a life of college and banal employment but for duty, sacrifice, courage, and, eventually, rule.
âIâm thinking about, uh, law school,â he says, wondering if that will impress her.
âBullshit.â
âExcuse me?â
She stands up. âDo you think I havenât figured out who you are, Feo ? You must think Iâm pretty stupid. And I donât date people who think Iâm stupid.â
âWait! Please!â
Jago stops. Composes himself. All over the restaurant, heads are turning. He canât afford to be seen like this, begging. Tlalocs do not beg. When he speaks again, itâs with imperious scorn. âWhat is it you think you know about me?â
âI know youâre Jago Tlaloc, that youâre part of some kind of mob family, and youâre the heir to it all. I know this whole cityâs scared of you.â Her voice softens, almost imperceptibly. âAnd I know youâre a terrible dancer.â She shrugs. âThatâs about it. I came here tonight because I wanted to know moreânot because I want expensive champagne and jewelry. You canât buy me, Jago. Not with a fancy dinner, and definitely not with a bunch of crap lies about your life. Thatâs not who I am. I didnât think that was who you were.â
âItâs not,â he protests.
âThen prove it,â she says. âShow me who Jago Tlaloc is. The real one. The one I fell for the first time I saw him.â
âYou . . . you did?â He doesnât understand. No one could fall for him, just from looking at him. His face is not designed to melt hearts; itâs designed to freeze them.
âOf course I did,â she says. âI told you: Iâm not stupid.â
They ditch the restaurant. Jago takes Alicia to his favorite street vendor, an old man who grills up anticuchos and picarones just north of the city center. She tries a bite of everything, and the way her eyes light up at her first taste of choclo con queso makes the whole night worthwhile. They sit on the edge of a crumbling brick wall overlooking a vacant lot and stuff themselves, licking the grease off their fingers and kissing it off each otherâs lips, passing back and forth a frothing bottle of Pilsen Callao, and all the while, they talk.
Jago tells Alicia
Irene Garcia, Lissa Halls Johnson