night,â she says. âI was homeschooled for a while; then I got into the academy, where classes are a jokeâeveryone knows nothing matters but dancing.â
âI bet youâre a beautiful ballerina,â he says.
âI was,â she says, again without modesty. He notes the tense.
Itâs hard not to stare at the unfathomably long line of her neck, the graceful way her arms arc and wave as she makes her point. Every move is graceful, efficient, almost as if she were a fighter, like him. And maybe theyâre not so different after all. The hard work, the oppressive training schedule, the tunnel vision for a life oriented around a single goal . . . he recognizes all of them, and wonders whether this is the magnetic field that draws them together, this singularity of purpose.
âIâve been to Paris, Tokyo, Buenos Aires, Cape Townâname a city, and Iâve danced there,â she says. âDanced, and nothing else. No sights, no culture, certainly no local foods. Nothing that would get in the way of the training regimen. No distractions whatsoever.â She peers at him through lowered lashes. âDefinitely no boys.â
âIt canât be as bad as all that,â he says. âYouâre here.â
âExactly. Because I quit.â
âWhat? You said dancing was your life.â
âIt was my life, and what kind of life is that?â She steals the rest of his anticuchos, gulping them down with relish. âI couldnât handle it anymore. I just did one plié too many, you know?â
He shakes his head. Tries to imagine walking away from his life, from any of it. Declaring independence from everything heâs ever known. Thereâs such a thing as too much freedom, he thinks. Freedom from everything can leave you with nothing.
âMy father was cool about it, but my mother?â She shakes her head.â Freaked. Out . I finally convinced them to send me down here for six weeks, kind of a trial separation from ballet, you know? Iâm supposed to be âthinking about my options.ââ She curls her fingers around the words, and itâs clear that she hopes to do very little thinking while in Peru. âIâve basically missed out on the first sixteen years of life, Jago. I plan to make up for it, starting now.â
âThatâs a lot to catch up on in six weeks.â
âIâm very efficient,â she says. âIt only took me four days to find you, didnât it? And about ten minutes to catch you?â
Sheâs so sure of herselfâso sure of the two of them, even though theyâve spent less than a few hours in each otherâs presence. âYou think you caught me, huh?â he teases her. âI may be more slippery than you expect.â
She puts her arms around him, pulls herself onto his lap. âJust try to get away,â she whispers in his ear. âI dare you.â
Summer school isnât like real school, especially in Juliaca. Alicia has plenty of friends to cover for her, and the teachers and guardians at the study-abroad program donât require much covering. Thereâs no one to care if she spends all her time with Jago.
So she does.
Itâs different than itâs been with other girls: she doesnât want him to buy her anything; she doesnât care about his power, or the things he can make people do. She likes to hear the details; she finds it fascinating, the contours of power, the things he knows, the strings he can pull. She likes to hear about corrupt officialsâwho gets paid off and how muchâabout how you can learn to attune yourself to the smell of weakness and cowardice, about how to sniff out an Achillesâ heel, and exploit it.
She likes it, but he doesnât like telling her, because he can see the judgment in her eyes, hear it in her voice. Sheâs fascinated . . . but sheâs also repulsed. âI just think thereâs