Nikki. âHave the lab check for prints ASAP, then I want it back. The portrait, too.â
Nikki set her coffee cup on the table and stood.
He glanced up at Diana, meeting her eyes for as long as he dared. âIs that all?â
âAll Kane sent? Yes.â
âThen Nikki will go with you to get the portrait.â
Diana hesitated, watching him for a moment. âI need to talk to you.â
âNikki can handle it.â He nodded to his partner, praying sheâd help him out this time. He was at the end of his tolerance. He couldnât stand looking at Diana one more second and pretend she didnât mean anything to him, that he was just doing his job, working on a case like any other. âGo ahead.â
A knowing smile playing at the corner of her lips, Nikki made for the café door, her long, dark ponytail swinging down the middle of her back. âSave my seat.â
Diana paused a second longer before following. When she finally disappeared through the glass door, Reed lowered his head into his hands.
Even as an awkward teen with more pimples than confidence, heâd never found being near a woman this difficult. But then, it wasnât every day he had to face the woman heâd loved for five years, the woman heâd finally convinced to say âI do,â the woman whoâd turned around and kicked his guts out.
Minutes passed as he delved into his stack of reports. Heâd just reached the bottom of the first pile when the bell on the café door jingled, and the ache returned in full force. And as much as he wanted to blame it on the battery-acid coffee, he knew without looking up Diana was once again heading for his table.
âWe need to talk.â
âDidnât Nikki take care of things for you?â
âI didnât come here just to hand over the portrait and card.â
Of course she didnât. She couldnât let him off that easily, after all. âWhy did you come?â
âI want to help.â
âHelp?â
She pulled out a chair and slid into it, plunking her elbows on the table. âI want to go to the prison. I want to talk to Dryden Kane.â
âAnd who is that going to help?â
She tilted her head and looked at him as if he were an idiot. âIn the card, he wrote that he wants to see us, talk to us, then he put in a news clipping about the killer.â
âSo you think he wants to talk to you about the Copycat Killer?â
âDonât you?â
âNo.â
âThen why send the clipping?â
âYou havenât seen him for months. Maybe he thought you could use a little incentive. Or maybeâ¦â An extra shot of acid added to the swirl of pain in his gut.
âMaybe what?â
âMaybe itâs a threat.â
He expected a reaction. She didnât give him one.
And he knew why. âOf course, youâve already thought of that, havenât you? Thatâs why you didnât object when I offered police protection.â
She averted her gaze, studying a crack in the Formica. âHe sent the card to Sylvie. He wrote that bit about her wedding. Iâm afraid for her.â
âYou should be afraid for yourself, too.â
âI brought him into Sylvieâs life and my own. I have to deal with him.â
âBy running to visit him? How do you think giving him exactly what he wants is dealing with him?â
âIf I can get him to talk to me, to tell me something, anything about the Copycat Killer, maybe you can use it to find him before he kills more women.â
âAnd Kane?â
âIf you can get evidence tying him to the copycat, maybe you could justify sending him back into solitary confinement, no matter what kind of lawsuit he won against the department of corrections.â
Not a bad idea, except for the part about her talking to Kane. âIâm sorry, Diana. Itâs out of the question.â
She leaned forward, her