and the high chair at the end. She sat opposite him and tried not to drink the wine.
âWhy would he go to
America
?â she said. âWhy didnât he say anything?â
Rod reached across the table and took her hand. âForget Seth for a minute.â His leather sleeve got into something sticky and she was glad. She pulled her hand away.
âOK. Who is it?â she said.
âYou donât know her,â he said, âand nothingâs happened and anyway, itâs not that really. I mean itâs not her. Itâs just that she, sheâs made me see . . .â He got out his plastic pouch of Drum and made a roll-up, his fingers trembling so that the tobacco spilled.
âSee what?â She focused on the mole on his cheek that shifted up and down, just minutely, as he spoke.
âWe hardly even knew each other when you got pregnant.â
âWith your help.â
âAnd we never, like, made a real commitment, did we?â He licked his Rizla and rolled the paper tight. He finished his glass of wine and poured another.
âDidnât we?â
âCome on, Dodie,â he said, âyou know how it was. I said Iâd stick by you and I did and then you were ill, but now . . . Itâs not that Iâm leaving you, I just need ââ
âWhat about Jake?â
ââ some headspace, you know? Iâll always be here for Jake. Iâm taking off.â
She bit the knuckle of her thumb. âYouâll always be here but youâre taking off?â
âGot a flight to New Zealand.â
âYouâve
got
it?â
âIt was a good deal. It was a now or never thing.â
She gave in and swigged her wine. âWhen were you going to tell me?â
âTonight.
Now
. Iâm telling you.â He bared his teeth in an attempted smile. âIâll only be gone a few weeks, a month. I promise. Three tops.â
âThree
months
?â
He shrugged. âRound about.â
âSo,â she said, âyouâre leaving me.
Us
.â
âI just need to get my head together. You know I love Jake â and you.â
âWhen?â
âCoupla weeks.â
âWell, thanks for telling me.â There was a Le Creuset casserole dish on the shelf. She could easily have brained him. âIs
she
going with you?â she asked.
âNo! Shit, I shouldnât have mentioned that, itâs just meeting her made me see I need a break, you know, time out.â He waved his long arms about. He was too big for her tiny terraced house; it had never fitted him.
She had to get out of there and she stood, shaking off his attempt to hold her. âIâm going to make Stella tell me where Sethâs gone,â she said, zipping up her jacket and cutting off his voice with a slam of the door.
There are more fireworks, a feeble celebration in the wet; she hears a laugh, catches a whiff of gunpowder. And Rodâs taxi arrives, and behind it a police car. The blue light pulses over the wet privet hedge, making it surge and retreat like a wave.
When he sees the body, Rod begins to heave and goes to the downstairs toilet, which means dodging Stellaâs feet,which he misjudges, blundering against the legs and letting out a cry. The body rocks, the banister creaks. Dodie screws shut her eyes, sticks her fingers in her ears to block out the sounds of Rod retching and the faint rhythmic squeak of rope on banister.
A detective with a beige moustache takes an initial statement in the kitchen, and then leaves her with a policewoman, Donna, who makes tea. The carrot is still there on the chopping board, still half-sliced.
âDid she live alone?â Donna asks. She has bubbly blond curls and a face like a plastic dolly, way too pretty for her uniform.
Dodie hesitates. âYes. My brother used to live here, but heâs in the States.â Sheâs amazed how smoothly this comes out, as if itâs normal