â
âCoffee?â Rod suggests.
âThis time of night?â
âThink weâre going to sleep?â He flicks the kettle switch, tips the stale grounds out of the cafetière and into the sink.
âItâs my fault.â
âStop!â He holds up a hand almost as if heâs about to strike her. âShe was depressed. She was ill. It was
nothing
to do with you. Say it.â
âIt was nothing to do with me.â
Sometimes, she does love him despite â
She watches him spoon coffee, the bulk of him in her kitchen, the sexy shape of him. Will he still leave? The kettle clicks off. Rod fills the cafetière and fetches a bottle of Grouse and two mugs.
âPut some sugar in mine,â Dodie says, thinking of Donnaâs advice. Besides, itâs nice with sugar. He stirs sugar into both and holds the bottle up.
âWhy not?â Itâs like a treat, at nearly midnight. The strangest moments can become occasions. People do the strangest things. It can strike at the oddest moment or be calculated down to the last detail, is what the forensics man said. Halfway through a carrot is an odd moment all right, but he implied that he had seen odder.
âWhat if it wasnât suicide?â she says.
Rod sits down opposite her, hands cradled round his mug. â
What?
What are you saying?
Murder
you mean?â
Dodie takes a tiny sip. Sweet. Hot. Strong. âDo you think they might think itâs kind of suspicious that Sethâs gone?â
He frowns at her. âYouâre not saying you think
he
âs got anything to do with it?â
She scalds her tongue on a slurp of coffee. âOf course not!â
He shakes his head, exasperated.
âSeth would never hurt a fly,â she says.
âI
know
.â He adds more whisky to her coffee and his own. The alcohol and the hot coffee have pinked his face; his skin looks steamy.
âOf
course
it was suicide,â she says.
âI know.â
âHow could you even think that about
Seth
? This is
Seth
weâre talking about!â
â
You
mentioned him. Mind if I smoke inside? Itâs pissing down.â
Dodie stares at him and he eyeballs her right back. She runs upstairs to have another look at Jake, to shut his door and keep him safe from the smoke. Heâll never remember Stella now. She bends to sniff his cheek, breathe in the soapiness of breath and skin. His eyelashes are such long, dark wings resting on the smooth roses of his cheeks. She nudges his shoulder and he wriggles and sighs. The sheetâs a bit crumpled; she lowers the side of the cot to straighten it and his eyes snap open, stare at her blankly, bottom lip folding down.
âOK, Jake,â she says, âMummyâs here.
Hush little baby, donât say a word
,â she whisper-sings, â
Mommaâs gonna buy you a mockingbird
.â She watches till the thumb goes in and the lashes brush his cheeks again before she creeps out: stupid, guilty mother. To want to wake a sleeping child just because she needs comfort.
A mean niff of tobacco floats up the stairs. Inhaling, she goes down again, closes the door, feeling an urge herself. Exceptional circumstances.
âRoll me one?â
He raises one eyebrow and pulls out another Rizla. Dodie swallows the last of her coffee, squeezes a bit more from the cafetière. âAnyway,
you
âve felt like murdering Stella nowand then,â Rod says. âAnyone would.â He narrows his eyes and blows smoke in her face. They sit and sip and smoke. The fridge switches itself on with a panicky tremble. Stella is dead and Seth is missing and Rod is going away. The warmth of the whisky and the rush of the nicotine and caffeine send a flutter through her. None of it feels real at all. But Stella
is
really dead. Dusky toes under the velvet hem. Poor dead toes. Surely she should be crying? Did they think it suspicious that she didnât cry?
âIâve