Iâll have to make a run for it, but Iâd prefer to stand and fight my corner. I feel better now than I did. Like you said, Iâve got Frank and Lizzie on my side. Syd and the gang will help too. That counts for something.â
âAnd me.â
âYes. And my most important ally â you.â
We exchanged a smile.
âCat! Pedro! Get yourselves in here now!â bellowed Mr Kemble from within. He didnât sound happy. And who could blame him? He thought he had a box office draw in Pedro; nowit seemed he was harbouring an item that could cost him dear. We trooped into the office and found Mr Kemble seated with Signor Angelini.
âTcha! Tcha!â tutted the musical director, flapping a silk handkerchief at his apprentice. âWhy you no tell me, Pedro?â
Pedro hung his head. âSorry, maestro. I didnât realize heâd come after me.â
âIt worse than that. He now ask for your earnings over this year. He seek that from me!â Signor Angelini gestured to a letter lying on the desk. âImmediate return of property, living or deceased â that means you, Pedro â and full reparation! I feel like deceasing you myself! You know how much that will cost me?â
I thought it very unfair to blame Pedro for this. It was hardly his fault that he had been a resounding success. Nor did a few pounds seem anything compared with the prospect that Pedro might end up being handed over to Hawkins.
âYouâre not going to let him have Pedro back, are you, maestro?â I interrupted him. âItâsnot fair. He doesnât want to go.â
âQuiet, Cat,â snapped Mr Kemble. âOf course we donât want to deliver Pedro up to that man. Slavery is an evil â but it is legal in the British Empire. Iâm not sure if we can stop this Hawkins taking Pedro if he is his as he claims.â
I couldnât be silent at this. âBut heâs not a dog to be passed from owner to owner. Heâs a boy â a man like you.â
âYouâre wrong, Cat,â said Pedro sullenly. âIâm no more than a dog as far as my old masterâs concerned. It seems others think the same.â He cast a bitter look at Angelini.
âNo, no, boy, it is you that is wrong,â said the Italian, his voice softening. âI angry with you,
si
, but I do not think of you like this. There is no slavery in music. You have a talent that places you among the great. To me it no matter if you be black, red, green or blue: you play like a god. We try to stop this monster Hawkins. We stand with you.â He patted Pedro on the arm. Pedro made to draw away, but catching sightof the Italianâs sincere expression he checked himself, and accepted Angeliniâs gesture without resistance.
âBut how to do it â thereâs the rub,â murmured Mr Kemble. âI as good as told Hawkins that you were dead.â
âYou didnât, sir,â I butted in. âThat was me. You only said he
had
been the maestroâs apprentice. Now you know he isnât.â
âAn excellent quibble, Cat. The courts lost a formidable barrister with you being born female, but we all know what impression I allowed Hawkins to form. So, the question is: do we admit you are still alive or do we continue to claim youâre mouldering in your grave? I leave the choice to you, Pedro. But I should warn you: if you decide to play dead youâll have to leave us. I canât keep the deception going if youâre still here â not even Mr Sheridan can protect you in London, in spite of all his political connections. However, we might be able to do something further afield. Iâve a brother in Scotland â if Iasked, Iâm sure he would take you on at his theatre. That might be far enough to escape Hawkinsâ clutches.â
Pedro looked down at the floor, weighing his options.
Some moments passed and then his mind was made