being entirely straight.
Pedro sighed. âI suppose Iâm paying the price for it now. You see, my . . . my old master passed me on to a man called Jack Grimes down in Bristol â it was a kind of loan. Grimes dragged me around the provincial theatres and private parties â âthe noble savage and his violinâ, he called me. Dressed me in the most ridiculous outfits.â Pedro curled his lip with distaste.
âNot much changed then,â I said, gesturing to Pedroâs Ariel costume.
âIf you think this is stupid, you shouldâve seen what I had to wear then. On second thoughts,Iâm pleased you didnât. I feel ashamed just thinking about it.â Pedro managed a wry smile. âAnyway, last year Grimes ran into Signor Angelini during the summer circuit. The maestro was taken with my talent. Grimes thought heâd make a bit of extra money by arranging the apprenticeship. I knew then that it was an odd agreement â Signor Angelini paid him money to sign me up, realizing heâd get it all back through my earnings. I didnât say anything â the maestro seemed a much better bet than either Grimes or Mr . . . Mr Hawkins. I thought he could teach me things, turn me into a real artist and not just some musical freak show.â
âSo Mr Hawkins is right to say that your articles of apprenticeship arenât worth anything?â I asked quietly.
He shrugged. âI donât know, Cat. Is that what he claimed?â
I nodded.
Pedro stared at the flickering lantern inmisery. There seemed to be nothing more either of us could say.
âIâm not going back to him. Iâm not,â he broke out suddenly. âIâll kill myself before I let him a lay a finger on me again.â Pedro ground his fist into his palm.
âOf course youâre not. He canât take you against your will.â
âWhat? Him a rich man, and me a runaway slave â whoâll protect me?â
âWhoâll protect you?â I caught his hand in mine. âWhy, your friends of course.â
He squeezed my hand in silent thanks.
âLook, weâd better go and explain all this to Mr Kemble while Mr Sheridan is still out of town.â I rose to shake out my skirts. âThen I think we should pay a call on Grosvenor Square. Iâll send word that weâre coming and arrange an escort to keep you safe from that villain Hawkins.â
Pedroâs face perked up at this suggestion. âYou think Frank and Lizzie can help?â
âIâm sure of it. It took an earl to get me off ahanging over the diamond * ; a lord and lady might just do the trick for you.â
We were still left with the problem that Pedro was dead.
It was a greater difficulty than you might first imagine. His name was already on all the playbills printed for the opening night of
The Tempest
. Mr Kemble had half-confirmed my wild claim to Hawkins that Pedro had succumbed to a fever; he would be in hot water if he was proved to have lied to the man. It didnât matter what I said â no one took
me
seriously â but Mr Kembleâs word counted for something in London. As Pedro and I made our way upstairs, I realized that the first thing we had to do was straighten the matter out.
âPedro, do you prefer to be dead, or should we drop the story?â I whispered as we waited outside Mr Kembleâs office. The dress rehearsalhad been delayed â and, by now, everyone knew why. Two half-dressed ballerinas clucked sympathetically at Pedro as they passed us in the corridor. A stagehand, carrying a model of a sailing ship on the way to the carpenterâs workshop, slapped him on the back wordlessly.
âI canât see how we can pretend Iâm someone else,â said Pedro, leaning against the wall dejectedly. âIâm too well known.â
âBut with the mask, couldnât we . . .?â
âNo,â he cut in. âMaybe