place have a generator or anything? Emergency power?â
He looks at you like you just asked him the metric weight of Mars. âI just park the cars, man. I donât know about a damn power grid or whatever.â
Gunshots outside. Then an explosion. The sounds echo down the ramp and through the garage.
Youâre sure as hell glad youâre not out thereâbut how long will you be safe in here? You spend a moment sizing up yoursurroundings. Eye the entrance. âCan we lower that security gate?â you ask.
âI was about to do that when that cop came barreling down here. Then you showed up.â
âSo letâs do it now.â
Chucky hops down off the SUV and you follow him to the office. Itâs tiny and cluttered. Thereâs a desk, a computer, two chairs, papers everywhere. Chucky opens a metal box on the wall and pulls a switch. Thereâs a loud grinding noise. Through the window, you watch the metal gate slowly lower, shutting you off from the outside world.
You walk to the gate and lean against it, tired. You replay the morningâs events. Started off pretty regular: woke up late, crowded subway ride, morning meetingâthatâs when things went a little haywire. Zombies, crazy cab ride, dead cop, general chaos and horrorâ
âSmoke?â
You jump. Chuckyâs standing beside you, holding out a cigarette.
âShit. You scared me. Uh, yeah, sure.â You take one. Youâre not much of a smoker, but if there was ever an occasion, this was it. You take the lighter. On the third try you get it. You wrap your fingers through the metal fence and rest against it, exhaustion tugging at your body.
Together, you smoke in silence. He finishes his. Flicks it through the metal gate. Lights another. A moment later you finish yours. You donât ask for a second, and he doesnât offer.
âShh, shh,â he says, hushing you, even though you werenât making a damn sound anyway. âLook.â
A zombie staggers down the ramp. Itâs an old man in a short-sleeve button-down, splashed with blood. Wisps of white hair. Horn-rimmed glasses, one lens cracked. It trips over its feet, regains its balance, and continues to shuffle along. Its shoulderscrapes against the ramp wall as it stumbles forward. A streak of blood tags the wall.
More follow behind it. A dozen, you guess. You watch, aware that youâre safe behind the gate, but still scared shitless. You want to runâretreat into the temporary safety of the garage. But you donât. You watch. Just a short time ago they were regular peopleânow theyâre actual living dead monsters. Their facesâalmost familiar looking, despite the gashes and the gore. The same people you passed every day on the street, stood behind in line at the movies, worked with, drank with.
âCâmon,â Chucky whispers, touching your shoulder.
You snap out of it and step back.
âStay in the dark,â he says. You nod and park yourself behind a large support beam. Chucky jogs over to the office. Through the window, you see him open a box on the wall full of keys. He flips through a few, turns around to look back at the garage, then flips through a few more. Finally, he takes a set of keys, shuts the box, and jogs back across the garage floor.
You follow him to a black two-door Mercedes that sits directly opposite the gate, allowing you a clear view of the entire garage. He unlocks the doors and climbs into the driverâs seat. You hesitate a moment, then get in the passengerâs side.
You watch the things gather at the gate. Some claw at it. Others pay it no attention and just sort of stumble about. After a while, itâs simply too much to look atâyou can no longer process what youâre seeing. You recline the seat and before you know it, youâre asleep.
You wake up confusedânot sure how much time has passed. You smell something in the airâpot? No,
Tim Lahaye, Jerry B. Jenkins