fifty-dollar bill into my chest, jarring me awake.
âGet something for Brooks too,â he says, pausing his conversation. âTriple latte.â
I hop out of the Bugatti and jog into the coffee shop. Thereâs a small line, so I settle in to wait, folding the bill in my hands. Half and then half again. Smaller and smaller until it wonât fold anymore. I grew up with money. Adam and I have the same entrepreneurial, restaurant- and bar-owning, deal-making dad. I have no desire to start a business, or open a restaurant or a bar, or make a film. Maybe I took after my mom. Who knows? All I know is that I want to sing. I want to make music, pure and simple. Every night, if I can.
I glance at Adam, idling in the parking spot right outside, drawing looks from everyone in the coffee shop. I also donât want to be the guy who has to jump out for a coffee he canât even afford to pay for. Maybe this job thing will be all right.
Iâll work in the mailroom or something. Keep making coffee runs for my brother. Earn a few bucks during the day, and sing at night.
I can live with that.
Adam stays on the phone with Brooks until weâre both walking into his fancy office at the new Blackwood Entertainment studio complex, where Brooks is waiting. They shut off their phones at the same time, preparing to continue their conversation face-to-face. Brooks rises from the leather chair in front of Adamâs desk, takes his coffee, and frowns at me.
Brooks works a sort of hobo-cool look: clothes a little baggy, hair a little shaggy. Everything is designer label, but slouchy. Adamâs opposite, basically. Though heâs a filmmaker, Brooks looks like heâd be comfortable with a paintbrush in his hand and a cigarette bobbing from the corner of his mouth.
âGotta say Iâm surprised to see you here,â he says, shooting a questioning look at Adam.
âHe trashed my place,â my brother explains.
â I didnât do it.â
âSo heâs working for me now.â
âOnly until I can pay it off.â
âWhich is going to take months, you realize that.â
I shrug, knowing Iâll be able to pay him back faster. Welkin will have a record deal come April. A month, tops, and Iâll be out of here.
Brooks looks from me to Adam, his grin going wider. âThis is going to be entertaining.â He narrows his eyes, peering at me. âWhat did you do to your head?â
I pull the cap off, showing him my Sharpied, shaved head.
âNice.â Brooks lets out a boom of laughter. âMustâve been some night.â
âStill nothing?â Adam slides behind his desk, slipping back in work mode.
In the elevator up here, while Brooks was apparently answering another call, Adam told me they have a crisis to solve. Some kind of audition or casting problem that he and Brooks needed to fix ASAP before he can get me set up. I sit and prepare to wait it out.
âHis agent finally called. Heâs not going to make it,â Brooks says, dropping into the other chair. âHe was doing some intensive spa treatments. Itâs his typical M.O. when he gets ready for a new project. I guess he tried a deep-tissue massage and got a crick in his neck.â
I cross my arms. âIs âcrickâ an actual word? Like in the dictionary?â
âYeah, itâs an actual word,â Brooks says. âAnd itâs also the reason weâre down a leading man for the day.â
Adam sighs. âThatâs a hell of an expensive crick. We have a studio full of potential leading women in Studio B.â
I slide out of my chair, because I have got to see this.
âGrey,â Adam says.
I slide back.
âThereâs only one option that I can see,â he continues. âWeâll burn too much money and time if we donât go through with the audition. We need to find someone else to read his part for the day.â
âAgreed.â