Brooks checks his watch. âAnd we have to do it fast.â
As they discuss trying to get a stand-in actor here within the next hour, I reach for the script on Adamâs desk and flip through it, looking for zombies or blood. The script, something called Bounce, disappoints.
âWhatâs this about?â I ask, waving it in the air.
Adam looks at me. âItâs a remake of a classic novel.â
âJane Austen,â Brooks adds. âEmmaâs one of the most beloved female protagonists of all time. Weâve beefed up the comedy aspects. Brought a dating service into the storyline to make it more contemporary and tie-in with the Blackwood brand.â
Sounds boring as hell, but what do they care what I think? âI hooked up with a girl named Emma a few weeks ago at a Foster the People concert. At least, I think that was her name. We didnât talk much.â
Brooks shakes his head at me and Adam gets them back on track. There have to be half a billion actors in this town, but these two are acting like itâs a lost cause. I mean, shit. Just go to the nearest café. I guarantee a hundred percent of the baristas are actors. With nothing else to do, I pick up the script and flip through it some more.
âWhy are there so many words if itâs a romance?â I say. âIsnât it pretty simple? Boy meets girl. They get it on. End of story?â
Iâm talking to myself, since Iâm the only one listening to me. âI mean, why do you need all this?â Opening the script to a random page, I read, ââ
âEmma. Beautiful Emma. Iâve loved you forever. I was born to love you. Iâve been here all along. I was just waiting for you to see me.ââ
â I scowl, reading her reply, and then laugh when I read a little further. â Seriously? They kiss after that?â I drop the script back on the desk. âTripe, bro. Utter tripe. You need to get a better writer, because if thatâsâ
. . .â
âif thatâsâ
. . .â
âif this isâ
.â
.â
.â
Adam and Brooks are both staring at me intently. I feel like a mouse in an open field under the eyes of a hawk. And another, slightly more disheveled hawk.
âNo,â I say, dropping the script. âNo freakinâ way. Iâm not an actor, Adam.â
âYou are today,â he says, rising from his chair.
âI canât do it. Iâve got a crickââ
âNo, you donât.â He gives Brooks a slap on the shoulder. âGet everyone ready,â he says. Then heâs standing over me. âLetâs go, little brother. Youâre needed over at Studio B.â
  Chapter 4  Â
Skyler
B eth wasnât kidding. Blond, leggy girls with perfect tans occupy every square inch of seating space in the temporary waiting area of the production office, which basically looks like something Ikea coughed up after a rough night. And since most of the girls are super tiny, the ratio of butts to seating is pretty impressive.
On cue, they turn to look at us. Some give me warm, complicit smiles, like âhere we go again,â which makes me feel like a big fraud since this is all new to me. Most put up blank faces and then turn back to their lattes, their cell phones, or their weird little scripts, which Beth tells me are called âsides.â
Suddenly, Iâm extra grateful for the pink hair, if only so I can tell myself apart from everyone else. Though Iâm definitely built more like an old-timey milkmaid than most of these girls, with fleshier arms and more junk in the trunk, due to my steady diet of bar food. Totally okay in my world, of course. Drunk musicians donât judge, and neither do my cellos.
âGonna need a shoehorn to wedge ourselves in here,â Beth says, chewing her lip and surveying the room. Sheâs giving off a weird jittery energy, which isnât like her. But