Tags:
Fiction,
General,
Humorous,
Fiction - General,
Historical,
Fantasy - Contemporary,
Love Stories,
Vampires,
American Science Fiction And Fantasy,
cats,
American Satire And Humor
love for each other and I had like my lime-green Chucks and Jared the gay-bait rat-shagger.
So that was good. The rescue and whatnot. Because we found the old vampyre art money that the Animals had paid to the blue ho, which was like a half a million dollars. But then we found out that the blue ho was not dead, but somehow had accidentally drunk some of Tommy’s blood when she kissed him during his torture and now she wasnosferatu. And she turned all the Animals. Which, you know, was bad. And not in the good way.
And the old vampyre had somehow escaped his bronze shell, and he was coming after Tommy and Jody, and even me? He even shook the living shit out of William the Huge Cat Guy while Jared and I watched from an alley across the street.
I know! We were all, “Whoa?”
So it’s like, Christmas night, and Jared and I are watching the midnight show of The Nightmare Before Christmas at the Metreon. And we’re all traumatized and whatnot from watching the vampyre pound the huge cat guy, and the Countess calls us. And she and my Dark Lord Flood meet us for coffee at this Chinese diner, which is like the only thing open because the Chinese totally blow off Christmas because there are no dragons or firecrackers in the story.
Note to self: Write narrative poem exploring Christmas if the three wise men had given baby Jesus firecrackers, a dragon, and mu-shu pork instead of that other crap.
So, after all night drinking coffee laced with Jared’s blood and getting the story on the old vampyre from the Countess and Flood, we go back to the loft and there, in the stairway, is the old vampyre, naked. And he’s all, “I had to do some laundry. That guy peed on my tracksuit.” (He was wearing a total gangsta yellow tracksuit when we saw him shaking the huge cat guy.)
So we like ran, and we had to hide my masters in some rafters under the Bay Bridge when they went out at dawn.No yawning or anything—they just became dead. Well, undead.
So we wrapped them in trash bags and duct tape and moved them to Jared’s basement lair in Noe Valley. (His basement lair is sacrosanct—his father and stepmother are afraid that they might walk in on him wanking to gay porn—so it was safe for the masters.) Meanwhile, I went back to the loft to feed Chet the huge shaved cat and decapitate the old vampyre with Jared’s dagger so I could get extra-credit points with the masters, but it turned out that I had not calculated sundown quite right. Since when does the sun go down at like five o’clock? That’s just fucking juvenile.
Anyway, when I’m on the steps I hear the old vampyre moving around upstairs. And I’m all, “Awkward.” Then I hear a car pull up and I run out, right into the arms of this blond ho, who it turns out is the blue ho, who is now nosferatu, along with three of her vampyre minions who used to be the Animals. I know, “Uh-oh.”
So she grabs me and is just about to tear my throat out, when the old vampyre grabs her by the neck and puts her face print in the hood of a Mercedes. He’s all, “You’re breaking the rules, ho. You can’t just go turning people willy-nilly.”
So I was doing a minor booty-dance of ownage at the blond ho, when they all turned on me. So I pull out Jared’s dagger, but just the same I know they are going to have a huge group suck on my pale frame, when this totally fly, race-pimped Honda comes tearing out of the alley, andeverything goes white light around the car. And my manga-haired love monkey, Foo, is totally in hero shades, and he’s all, “Get in.”
’Kayso, he swept me away in his magic nerd-chariot, which he had rigged with ultraviolet floodlights that totally toasted the vamps with simulated sunlight. I know! I’d have done him right there in the car if I was not trying to maintain my detached aura of aristocratic chill. So instead I kissed him within an inch of his life, then slapped him so he didn’t think I was his personal slut, which I totally was. Would be.
It
Between a Clutch, a Hard Place
Larry Niven, Gregory Benford