August and Then Some Read Free

him. A girl with her finger in her mouth and a miniature boy version of Ralphie, hat and all. All three of them watch as I pick up the slate and lay it on my foot. In unison they all cringe.
    â€œYou want no help?” Ralphie asks again.
    â€œNo, I’m good.”
    â€œYou loco, you know? Crazy.”
    â€œYeah, I’m starting to see the full-sized picture.”
    â€œBe careful, OK? Don’t hurt nothing.”
    â€œI won’t.”
    He turns to the kids, “Ivamos.” They scurry back inside.
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    My studio is part of a railroad apartment that was broken into smaller spaces. It has exposed brick on one wall, and a curtain—not a door—separating the bathroom from the rest. I get a laugh out of the wood floors. Lay a marble anywhere and in ten seconds it rolls to the south-east corner. There’s more paint on this radiator than there was in my mother’s Yonkers apartment. So many coats on the walls I think the place has lost a few square feet since it was built. A futon lies against the side wall. No frame, just a mattress with a sheet that’s got little holes worn through it where my toenails rub while I’m on my stomach. Next to the bed are two cardboard boxes. One’s got my clothes in it and the other is filled with books and paperwork—things I’m using to get my GED. There’s also an alarm clock I never have to use.
    All by itself on the floor is a black spiral notebook. I write in it sometimes about things that I’d rather not get started on right now.
    The milk crates are waiting for me. I guide the slate down onto them and step back for a better look. It’s … it’s a table. Dark. About a foot off the ground, covering more of the apartment than it felt like it would. I sit on the floor facing it and cross my legs. It’s perfect eating height that way. I stand up and look at it like it’s supposed to do something.
    I’m hungry.
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    Out the front door Stephanie’s gone from the stoop. I walk across Tompkins Square Park. Low sunlight stretches tree shadows over benches and heavily pierced and tattooed squatters who set up beds in the grass. With dreads past their shoulders, they huddle behind a cardboard sign that says they need money for their dog, who also has dreads.
    I sit on a bench hoping to get tired. I say no to people who ask me if I got a light. Make split-second eye contact with a few dozen people who walk by then watch them go their way. I stay put until streetlights come on, and memories of living here creep back in. My apartment isn’t great shakes, but it beats this park, and this park, as a transition to sanctuary, beat the shit out of Yonkers.
    A guy and girl who may or may not have another place to sleep tonight walk by me with their arms latched like the safety pins that hold their pants together. I see Nokey putting his hand on my sister. I wonder if he hadn’t done that would anything else have even happened. I get off the bench, head to my apartment, and try to leave that thought in the park.

Rain
    Yonkers is bookended by two strips of water—the Hudson River and the Bronx River—and if you stay in the middle of the city long enough, which I definitely did, you can actually feel them pulling you from both sides, wanting to take you down south past the boroughs of New York City into the Atlantic. The waters start to feel like tarmac, runways for take-off. And if you give over to the pull, let the river take you, you get a ticket to Europe and beyond. I’ve seen this done. Somebody’s brother or sister from the neighborhood just took off downstream and we never heard from them again. In some places, to gain legend status, all you have to do is leave.
    The Hudson River, the bigger of the two, belongs to the downtown crowd. From their apartment windows they see the sun dip behind it, watch cargo ships and sail boats leave wakes in it, and hear trains run parallel to it