“You’ve always been a shoot-first-talk-later fool, but that poor fella’s no threat! Look!”
I gave up the .22 as I had given up Paradise Farm, docilely, and I looked. RuthClaire’s visitor was terrified, almost catatonic. He could not go up, and he could not come down; his head was probably still reverberating from the rifle shot, the heart-stopping crash of the pecan limb. I wasn’t too sorry, though. He had no business haunting my ex.
“Listen,” I said, “you asked me to come see about you. And you didn’t object when I brought that baby down from the loft.”
Angrily, RuthClaire ejected the spent shell, removed the .22’s magazine, and threw the rifle on the ground. “I wanted moral support, Paulie, not a hit man. I thought the gun was your moral support, that’s all. I didn’t know you were going to try to murder the poor innocent wretch with it.”
“‘Poor innocent wretch,’ ” I repeated incredulously. “ ‘Poor innocent wretch’ ?”
This was not the first time we had found ourselves arguing in front of an audience. Toward the end, it had happened frequently at the West Bank, RuthClaire accusing me of insensitivity, neglect, and philandering with my female help (although she knew that Molly Kingsbury was having none of that nonsense), while I openly rued her blinkered drive for artistic recognition, her lack of regard of my inborn business instincts, and her sometimes maddeningly rigorous bouts of chastity. The West Bank is small—a converted doctor’s office wedged between Gloria’s Beauty Shop and Ogletree Plumbing & Electric, all in the same red-brick shell on Main Street—and even arguing in the kitchen we could give my customers a discomfiting earful. Only a few tolerant souls, mostly locals, thought these debates entertaining; and when my repeat business from out of town began falling off, well, that was the last straw. I made the West Bank off limits to RuthClaire. Soon thereafter she began divorce proceedings.
Now a shivering black gnome, naked but for a see-through leotard of hair, was staring down at us as my ex compared me to Vlad the Impaler, Adolf Hitler, and the government of South Africa. I began to think that he could not be too much more bewildered and uncomfortable than I.
“What the hell do you want me to do?” I finally blurted.
“Leave me alone with him,” RuthClaire said. “Go back to the house.”
“That’s crazy,” I began. “That’s—”
“Hush, Paulie. Please do as I say, all right?”
I retreated to the sliding doors, no farther. RuthClaire talked to the trespasser. In the gathering dark, she crooned reassurance. She consoled and coaxed. She even hummed a lullaby. Her one-sided talk with the intruder was interminable. I, because she did not seem to be at any real risk, went inside and poured myself a powerful scotch on the rocks. At last RuthClaire returned.
“Paul,” she said, gazing into the pecan grove, “he’s a member of a human species—you know, a collateral human species—that doesn’t exist anymore.”
“He told you that, did he?”
“I deduced it. He doesn’t speak.”
“Not English, anyway. What do you mean, ‘doesn’t exist anymore’? He’s up in that tree, isn’t he?”
“Up in the air, more like,” RuthClaire said. “It reminds me of that Indian, Ishi.”
“Who-shi?”
“A Yahi Indian in northern California whose name was Ishi. Theodora Kroeber wrote a couple of books about him.” RuthClaire gestured at the shelves across the room from us; in addition to every contemporary best seller that came through the B. Dalton’s in Tocqueville Commons Mall, these shelves housed art books, popular-science volumes, and a “feminist” library of no small proportions, this being RuthClaire’s term for books either by or about women, no matter when or where they lived. (The Brontë sisters were next to Susan Brownmiller; Sappho was not far from Sontag.)
I lifted my eyebrows: “?”
“Last of his tribe,”
Jessie Lane, Chelsea Camaron