overnight. With a persistence he was not aware he possessed, Amulya learned the language of the Santhals, as well as Hindi, and learned enough from them of their plants to be able to expand the range of his products.
His relatives in Calcutta regarded Amulya with amused puzzlement and some irritation. He had done nothing he needed to run from, why then the self-imposed exile from a great metropolis into the wilderness? Was there anything in the world Calcutta did not offer a man like him? Submerged just beneath the surface of their talk was the sense that his departure was a scorning of their lives, the redrawing of a pattern that had already been perfected.
* * *
The house Amulya built in Songarh looked out of place: a tall, many-windowed town house in the middle of scrubland and fields that were sparsely built upon at the time. He designed it with the help of an Anglo-Indian architect trained in Glasgow, whose plan seemed to provide a judicious mix of West and East. The house was to look southward, turning its face from the road. Verandahs all along the southern façade, and the north would have rows of windows. To the west there would be balconies and terraces to let in the setting sun. These balconies would overlook a courtyard next to the kitchen, on the ground floor. The south and the west would be skirted by a garden planted with trees and flowering shrubs. Where other people gave their houses grand names, Amulya gave it a number. Although there was only one other house on that road, he stuck a board into the empty plot that said 3 Dulganj Road in tall black letters. The â 3 â stood for him and his two sons.
A large house, âA house for a family to grow in,â the architect had said, satisfied, when he had completed his drawings. Despite all the windows and balconies, however, it turned out to be a secretive house once translated to brick and plaster â nobody appeared at the front door of 3 Dulganj Road, Songarh, on impulse and said, âWe thought we would call to see you.â The northern side that faced the road, with its rows of shuttered windows, seemed to tell visitors that it would be nicer to stand upstairs and watch them go rather than welcome them in.
Right across the road was the only other house in the immediate vicinity. It was one of a number of bungalows the mining company had built for its administrative staff, and the name on the gate was Digby Barnum. Mr Barnum was rarely to be seen. The house had a
porte-cochère
, from the privacy of which every morning Barnum ascended the car that would deposit him where he worked. He left at precisely nine-thirty, looking neither right nor left as his car swept out of his gates and onto the road. Nobody in the neighbourhood had ever caught his eye.
Amulya first saw Barnum on one of his early days in Songarh, when he was spending most of his time out in the open getting his house built, hours in the sun watching men work. On one of those days, Barnumâs car had spluttered in its smooth getaway from the portico and come to a silent standstill only a few yards from the gate. Amulya, waiting on the road for a delivery, observed a man open the door of the car at the back and emerge, muttering English curses. âBloody hell,â Barnum said, aiming a kick at the carâs bonnet, and then, folding his hands and trying a different tack, âPlease, you ruddy jalopy, just this once â¦â In the bright morning sun, his skin grew more vivid every minute. Strands of hair stuck to his balding head in damp stripes. His cheeks shone in the heat, and bright pink folds of flesh ringed his neck.
Amulya turned away despite the temptation to stare.
The driver disappeared under the bonnet while Barnum got behind the wheel to turn on the ignition. It would not start. The driver brought out a crank, stuck it into the front of the car and began to turn it as Barnum stamped down on the accelerator. The car cleared its hoarse throat