not prise open for air. She had disliked it from the start: the large house with echoing, empty rooms, the wild, enormous garden where leaves rustled and unfamiliar berries plopped onto the grass. The want of visitors, the absence of theatre shows and festivity. Instead, cow-bells tinkling, the occasional clopping of a horseâs hooves, the ghostly throb of tribal drums far away. The croaking of a hundred frogs after rain, the inscrutable sounds from the forest at night. In Calcutta, in her rambling family home crowded with siblings and aunts and uncles, there was always the possibility of a chat, the comforting sounds of nearby laughter, gossip, clanging utensils, squabbling sisters-in-law, the tong-tong of rickshaw bells, the further-away din of the bazaar, the cries of vendors, the afternoon murmurs of a decrepit goldsmith who visited them with boxes of new trinkets and a tiny silver balance to weigh them on.
The first few months after coming to Songarh, the silence of the place â silence in which she could hear herself inhale, in which she could hear sweat trickling down her face, in which she could hear leaves fall and flowers open â the resonant quiet had startled her into an unexpected garrulity.
She had no-one to talk to, however. There were hardly any neighbours who were not British, and had there been, Kananbala, who spoke only Bengali, would not have had a language to talk to them in. There were three Bengali servants who had come with them from Calcutta, one of them a maid who massaged Kananbalaâs head every drowsy afternoon. Kananbala babbled without end to the maid, stopping only when one day she overheard the maid and the gardener sniggering about something she had said. After this she began to wait for Amulya to return home from work, and the instant she heard the gate unlatch she ran down the stairs to ask the servants to put on his tea, then rushed to the gate to start chattering: âWhat happened today? Did I get any letters from home? What do you think we are having for dinner? Do you know what Gouranga said to Anubha today when she was washing the clothes?â
And so on, until one day Amulya, exasperated, snapped at her, âLeave me alone, canât you leave me alone for a little while? Just a little while!â
He seemed that very night to have forgotten what he had said to her as he caressed her hair and drew her to himself. But she had not. She turned her face away slightly so that he could not kiss her on the lips. She had felt something twisting, writhing and changing inside her with his âLeave me alone!â She was withdrawn the next day, not herself, thinking too hard to be able to put any of her thoughts into words. Then, in the quiet afternoon, she dug out the old keys she kept still, out of both hope and attachment, the keys to her unused Calcutta rooms, and, clutching them tight, she walked to the well, paused, drew a deep breath, and threw them into the deep, black water.
* * *
The years passed more quickly after that act. Their elder son Kamal had been married off, the younger one, Nirmal, had crossed the awkward threshold that stood between boy and man, and her own small frame had acquired the uneasy bulges of late middle age. She should have been as close to contentment as was possible. But now, a long twenty years after their migration to Songarh, the garrulity had begun its siege on her afresh, threatening to break down the barricades she had erected against it.
Amulya was at the factory longer and longer. These days, he left early in the morning and did not return until after dark. He grumbled that there was too much competition now from imitators. The smallest gap in supplying the shops, and someone else would occupy it.
âEven so,â she asked him as they lay in bed one night, âcouldnât you come home a little earlier in the evenings?â
âDonât be silly, Kanan,â Amulya said, âI donât enjoy
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