chocolate. I spit on my hands and transfer some melted Mars Bar onto my trackie trousers. Lou puts her arm around me and says, âDonât worry, they are very nice.â
The door opens. Two old people. They must be theparents of one of her friends. The grey-haired woman is wearing a pale blue jumper and dark blue skirt and sheâs smiling â a really weird smile, kind of twisted. Thereâs something a bit familiar about her, and I try and think which one of Louâs teacher mates she reminds me of. The old man is hugely tall and has dark bushy eyebrows and thereâs a frown on his face. Heâs got a tweed jacket on.
Louise canât possibly expect me to stay here â can she?
âCome in, come in,â says the woman, in a super-posh voice, and she gives Lou a big hug. Iâm wondering when Louise will explain who they are. But she obviously thinks sheâs done that already. Iâll just have to work it out as I go along.
She releases Lou, and they all turn to look at me, and I stare at my trainers which are still sandy from the beach.
âTyler, welcome,â says the lady in her Radio Four voice. âWeâre so very happy to have you here.â
I mumble something and Lou says, âTyâs had a terribly traumatic day, Helen, I donât think heâs up to much at the moment.â
âOf course,â she says. âCome and sit down. Iâll make tea.â
She shows us into a living room which is â I swear âbigger than our entire flat in London. Thereâs a huge piano in the corner, and the floor is made of wood and there are soft patterned rugs and a blue velvety sofa and armchairs and blue curtains that look like they are made of silk. Itâs so tidy that it feels like a museum, not someoneâs home. And I canât see a television anywhere.
Thereâs a big mirror over the mantelpiece and I catch sight of myself in it. My face is pale and grubby, and thereâs a huge shit-brown smear on my chin. My hair, heavy with dried sweat, hangs in strings over my eyes. Oh, and my mouth is wide open.
âIâm Patrick,â says the old guy, frowning at me like heâs really regretting allowing Lou to bring me within fifty miles of his house. âDo you want a drink? Louise?â I shake my head and manage to close the gaping mouth and she says no, sheâd better not, because sheâs driving. That means sheâs really going to be leaving me here. He pours himself a whisky.
âSo . . . this is Tyler, eh?â he says to me in his deep gruff voice. âLetâs get a look at you, boy.â
He sounds like a sergeant major in the army. I duck my head, but Louise tugs my hood down.
He looks me up and down like heâs deciding whether to buy me. I donât like it. I donât like him either. I pull the hood up again and slouch back against my chair, arms crossed. I stretch out my legs in front ofme so my trainers are on the cream-coloured rug. Louise frowns at me, then starts talking to Patrick about the house. Do they get many visitors? Will it be possible for me to stay there without anyone realising?
Helen brings the tea in on a tray. Thereâs a flowery teapot and little teacups and a milk jug and a sugar bowl and a plate of biscuits that I think come from Marks and Spencer. Itâs like having tea at Buckingham Palace. In our flat youâd have got mugs, tea bags and Lidl economy custard creams. But it reminds me of Granâs best china which she only used on special occasions. I wonder if itâs still in her old flat in London.
I drink my tea in about a minute and eat two biscuits â Iâm starving. I was right, they
are
from Marks and Spencer, Gran used to get them every six months or so as a very special treat, but I bet these people shop there every day. I lick my finger to pick up the last crumbs from my plate. Then I realise that everyone is watching me, and I start