floor, absorbing the materiality of the room and also its cheerful, fleeting makeshiftness, and not knowing what to think. She was not a very tidy person, but her attempt at order and creating the semblance of a household, even the clumsy tear at the spout of the milk-carton, touchedme. These undergraduate rooms were larger and more comfortable to look at than the box-like, modern rooms in my building. A light hung from the ceiling, enclosed by a comical, globe-like shade, and at evening it gave a light that was both encompassing and personal. The window opened on to a path to the garden and the hall, and all day, laughter and footsteps could be heard, coming and going, and these sounds too became a part of the roomâs presence.
In the morning, I looked forward to the small journey I made across the road, glancing right and left with avid interest for oncoming cars, to see if I had any mail. The pigeon-holes, after the poverty of Sunday, its forced spiritual calm, seemed to overflow humanely with letters on Monday, and even if I had not got any, that small walk did not lose its freshness and buoyancy, and a tiny and acute feeling of hope did not desert me in all my mornings. From about half past nine to ten, there was a hubbub as students stooped or stood on tiptoe to peep into pigeon-holes, and sorted and sifted letters, and the mail-room had an air of optimism,of being in touch with the universe, found nowhere else in Oxford. When there
were
letters for meâthe cheap, blue Indian aerogrammes from my motherâthey lay there innocently like gifts from a Santa Claus, they did not seem material at all, but magical, like signs. Then I would miss the special feeling of mornings at home, I would think benignly of my motherâs good health, and how she suffers from nothing but constipation, how for three days she will go without having been to the toilet, with an abstracted look on her face, as if she were hatching an egg. Secretively, she will concoct a mixture of Isab-gol and water, and stir it ferociously before drinking it. Then, one day, like a revelation, it will come, and she will have vanished from human company. My father, a great generalizer, collector of proverbs, shows no concern over her health, displays no bitterness.
The furniture in Mandiraâs roomâthe bed, the study-table, its chair, the cupboard, the bookshelvesâwas old, enduring. The armchair was solid and stoic, and seemed to cradle the space that existed between its thick arms; onefelt protected when one sat in it. As I got to know Mandira better, as we became intimate and then grew increasingly unhappy, the room became her refuge, her dwelling, and when she said, âI want to go back to my roomâ, the words âmy roomâ suggested the small but familiar vacuums that kept close around her, that attended to her and guided her in this faraway country. Because, for a foreigner and a student, the room one wakes and sleeps in becomes oneâs first friend, the only thing with which one establishes a relationship that is natural and unthinking, its air and light what one shares with oneâs thoughts, its deep, unambiguous space, whether in daytime, or in darkness when the light has been switched off, what gives one back to oneself. The bed and chairs in it had an inscape, a life, which made them particular, and not a general array of objects. That is why, when she spoke of her room, I think what she meant was the sense of not being deserted, of something, if not someone, waiting, of a silent but reliable expectancy.
The room had other rooms next to it and otherrooms facing it. Sometimes, I would come up the staircase and enter the corridor to find Mandira leaning out of a half-closed door talking to the American girl who lived opposite, who would be standing by her own door. Even when I was inside the room, they would continue their conversation, and I would sit on the chair and watch Mandiraâs back; from there I
The Regency Rakes Trilogy