said. âThanks for driving in.â
Lachlan took off his jacket, and they both slid into the booth. Heâd already sweated through his shirt. âSo,â he said, âMara speaks highly of you.â He set his iPhone down on the table and turned up his coffee cup. âYou two been friends long?â
âWe met at the book expo about fifteen years ago.â
The waitress with the beautiful everything came over and filled Lachlanâs cup without asking. âCream,â he said, not looking up. He was about to say something else when his iPhone spun in a half circle on the table before him. He groaned slightly. âSorry, I have to get this.âJillian waited as he listened to the message. Lachlan smiled, trying to fill the awkward silence, saying, âMara really likes your books, by the way. I havenât had a chance to read them yet.â
Neither has anyone else, Jillian thought.
The waitress brought over a tiny bowl mounded with containers of cream.
âEat?â she asked, setting it down.
Lachlan, still listening to his messages, glanced at his watch and said no.
âYou?â she asked Jillian.
âNo, thanks.â
The waitress left and Lachlan put down his phone. âSorry about that.â He emptied a few creams into his coffee. âSo,â he said, âthis idea, this story of yours. Talk to me.â
Jillian lit another cigarette. âMr. Lachlan,â she said, âIâm sure youâre very busy. I drove three and half hours and I have to be back by five, so hereâs the pitch. If you donât like it, thanks for your time.â
Lachlan took a long sip of his coffee, and said, âGo.â
âWinsome Bay, Wisconsin. Bucolic small-town America. Apple pie, county fairs, Corn Queens, unlocked doors. Then a murder. The brutal killing of a young girl. First murder in the town in sixty years. A sort of Fargo meets Northern Exposure meets In Cold Blood . A killer on the loose. Will it happen again? Weekly installments written in chapters. Creative nonfiction.â Jillian leaned into the table. âA true crime story evolving in real time. The reader gets my point of view, not some famous author who churns out a book a month, or brilliant about-to-retire detective on his last case, but me, someone who usually writes childrenâs books and has never even been on a crime scene before. Someone who doesnât like dead bodies. Someone who is scared to even put this murder down on paper.â
âWhat murder?â Lachlan asked.
âDeborah Ellison. It happened a week ago.â
âIâve heard the name.â
âThe girl in Wisconsin.â
âI read about it.â
âThey found her body in the town right next to mine.â
Despite his best efforts not to, Lachlan began to listen more closely. âTell me more.â
âHereâs the angle. I donât apologize for my lack of experience, or my fears, I write about them. I write about the very same fears my reader has. This story is bound to get ugly, lurid, unimaginably horrific, and I want to make the reader complicit with every turn of the page, just as Iâm complicit every time I write one. Our reader doesnât have to go on. They can put the story down. I donât have to write it. I can stick to childrenâs books. But neither of us stops. Just like the killer who could have stopped, but didnât.â Jillian mashed her cigarette into the ashtray. âThatâs what I want to write about.â
Lachlan waved for more coffee. âAny suspects?â
âNo. But Iâve already interviewed a few people from the town who knew the victim and her family, and Iâve got a meeting set up with the chief of police there.â
âYou think thereâs enough to make a serial out of it?â
Jillian took a thin manuscript out of her bag and placed it on the table. âThis is rough. Thereâs enough there