The new movie, Cold Heart , in the theaters less than two months, was doing even better than Pete . Her twelve-room house in Westwood, on the fringes of Bel Air and Beverly Hills, had cost a great deal, yet six months ago she had paid cash for the place. In show business circles, she was called a “hot property.” That was exactly how she felt, too. Hot. Burning. Ablaze with plans and possibilities. It was a glorious feeling. She was a damned successful screenwriter, a hot property indeed, and she could hire a platoon of gardeners if she wanted them.
She tended to the flowers and the trees herself because the garden was a special place for her, almost sacred. It was the symbol of her escape.
She had been raised in a decaying apartment building in one of Chicago’s worst neighborhoods. Even now, even here, even in the middle of her fragrant rose garden, she could close her eyes and see every detail of that long-ago place. In the foyer, the mailboxes had been smashed open by thieves looking for welfare checks. The hallways were narrow and poorly lit. The rooms were tiny, dreary, the furniture tattered and worn. In the small kitchen, the ancient gas range had seemed about to spring a leak and explode; Hilary had lived for years in fear of the stove’s irregular, spurting blue flames. The refrigerator was yellow with age; it wheezed and rattled, and its warm motor attracted what her father called “the local wildlife.” As she stood now in her lovely garden, Hilary clearly remembered the wildlife with which she’d spent her childhood, and she shuddered. Although she and her mother had kept the four rooms spotlessly clean, and although they had used great quantities of insecticide, they had never been able to get rid of the cockroaches because the damned things came through the thin walls from the other apartments where people were not so clean.
Her most vivid childhood memory was of the view from the single window in her cramped bedroom. She had spent many lonely hours there, hiding while her father and mother argued. The bedroom had been a haven from those terrible bouts of cursing and screaming, and from the sullen silences when her parents weren’t speaking to each other. The view from the window wasn’t inspiring: nothing more than the soot-streaked brick wall on the far side of the four-foot-wide serviceway that led between the tenements. The window would not open; it was painted shut.
She’d been able to see a thin sliver of sky, but only when she’d pressed her face against the glass and peered straight up the narrow shaft.
Desperate to escape from the shabby world in which she lived, young Hilary learned to use her imagination to see through the brick wall. She would set her mind adrift, and suddenly she would be looking out upon rolling hills, or sometimes the vast Pacific Ocean, or great mountain ranges. Most of the time, it was a garden that she conjured up, an enchanted place, serene, with neatly trimmed shrubs and high trellises twined about with thorny rose vines. In this fantasy there was a great deal of pretty wrought-iron lawn furniture that had been painted white. Gaily striped umbrellas cast pools of cool shadow in the coppery sunlight. Women in lovely long dresses and men in summer suits sipped iced drinks and chatted amiably.
And now I’m living in that dream, she thought. That make-believe place is real, and I own it.
Maintaining the roses and the other plants—palms and ferns and jade shrubs and a dozen other things—was not a chore. It was a joy. Every minute she worked among the flowers, she was aware of how far she had come.
At noon, she put away her gardening tools and showered. She stood for a long while in the steaming water, as if it were sluicing away more than dirt and sweat, as if it were washing off ugly memories as well. In that depressing Chicago apartment, in the minuscule bathroom, where all the faucets had dripped and where all the drains had backed up at least once a
Victor Milan, Clayton Emery
Jeaniene Frost, Cathy Maxwell, Tracy Anne Warren, Sophia Nash, Elaine Fox