to cast a reflection on him and his ability to look after them properly. âFrightened of what?â
She didnât answer.
âYou canât be frightened without having something to be frightened about. So what is it?â
âYouâll laugh.â
âBelieve me, I never felt less like laughing in my life. Come on, try me.â
She wiped her eyes with the sleeve of her robe. âI had a dream.â
He didnât laugh, but he looked amused. âAnd youâre crying because of a dream? Come, come, youâre a big girl now, Daisy.â
She was staring at him across the table, mute and melancholy, and he knew he had said the wrong thing, but he couldnât think of any right thing. How did you treat a wife, a grown woman, who cried because she had a dream?
âIâm sorry, Daisy. I didnât meant toââ
âNo apology is necessary,â she said stiffly. âYou have a perfect right to be amused. Now weâll drop the subject if you donât mind.â
âI do mind. I want to hear about it.â
âNo. I wouldnât like to send you into hysterics; it gets a lot funnier.â
He looked at her soberly. âDoes it?â
âOh yes. Itâs quite a scream. Thereâs nothing funnier than death, really, especially if you have an advanced sense of humor.â She wiped her eyes again, though there were no fresh tears. The heat of anger had dried them at their source. âYouâd better go to your office.â
âWhat the hell are you so mad about?â
âStop swearing atââ
âIâll stop swearing if youâll stop acting childish.â He reached for her hand, smiling. âBargain?â
âI guess so.â
âThen tell me about the dream.â
âThereâs not very much to tell.â She lapsed into silence, her hand moving uneasily beneath his, like a little animal wanting to escape but too timid to make any bold attempt. âI dreamed I was dead.â
âWell, thereâs nothing so terrible about that, is there? People often dream theyâre dead.â
âNot like this. It wasnât a nightmare like the kind of dream youâre talking about. There was no emotion connected with it at all. It was just a fact.â
âThe fact must have been presented in some way. How?â
âI saw my tombstone.â Although sheâd denied that there was any emotion connected with the dream, she was beginning to breathe heavily again, and her voice was rising in pitch. âI was walking along the beach below the cemetery with Prince. SudÂdenly Prince took off up the side of the cliff. I could hear him howling, but he was out of sight, and when I whistled for him, he didnât come. I started up the path after him.â
She hesitated again. Jim didnât prompt her. It sounded real enough, he thought, like something that actually happened, exÂcept that there was no path up that cliff and Prince never howled.
âI found Prince at the top. He was sitting beside a gray tombÂstone, his head thrown back, howling like a wolf. I called to him, but he paid no attention. I went over to the tombstone. It was mine. It had my name on it. The letters were distinct, but weathered, as if it had been there for some time. It had.â
âHow do you know?â
âThe dates were on it, too. Daisy Fielding Harker , it said. Born November 13, 1930. Died December 2, 1955 .â She looked at him as if she expected him to laugh. When he didnât, she raised her chin in a half-challenging manner. âThere. I told you it was funny, didnât I? Iâve been dead for four years.â
âHave you?â He forced a smile, hoping it would camouflage his sudden feeling of panic, of helplessness. It was not the dream that disturbed him; it was the reality it suggested: someday Daisy would die, and there would be a genuine tombstone in that very cemetery