Sheâll come to the performance drunk. Panic rushes through me and I take a rattled breath but donât want to explain.
âWell, I canât make you talk. But you need to keep me posted, Penny. Especially if you are going toââ Ms. Taft pauses andseems to choose her words carefully. âIf you canât make it here on time.â
I just need five minutes to myself.
âForget the costume for right now, letâs run it through the Beatrice and Benedick scene from yesterday.â
A few moments later I stand onstage. May, as Hero, has just exited the stage and stands down at the first row of seats. Mr. Hill, our physics teacher and resident tailor, fixes something at the elbow of her costume. Sheâs frowning at me because I havenât told her whatâs wrong, even though she basically already knows, just like everyone else.
âOkay, places,â Taft instructs.
I close my eyes, try to steel myself for the love Iâm meant to feel in this scene. As Beatrice, I have to let the audience know that, even while I come off as cold and disdainful, itâs all just an act so no one will know the truth, that deep down I love Benedick.
âReady with the spotlight, Panda?â Taft calls.
âIâve got a faulty switch up here,â he calls back. âWe need to get to the fuse box.â
Taft sighs. âItâs always something,â she says, and her heels clip on the stage as she makes her way up to the light booth.
I stay on my spike mark because I know Taft needs me to be in position for the spotlight. I cross my arms over my chest. In a few minutes, Iâm supposed to dance and skip around the stageâin love.
Wes stands in the wings. Heâs got on a flowy white shirt as part of his costume but Taft has let him wear his jeans instead of the tights and breeches.
Our eyes meet.
I imagine myself on the stage, in front of everyone as Beatrice, skipping and crying out, âBenedick, love on; I will requite thee, taming my wild heart to thy loving hand!â
We share a smile, one that I put on for his benefit. When I look away to the empty auditorium, I whisper a different one of Beatriceâs lines instead:
âFor truly, I love none.â
The Elizabethan English feels forced. I donât want to be on a stage right now . I donât want anyone to look at me. To guess how I am feeling or what might be happening at home.
âPenny.â
Wes is next to me.
âYou okay?â His voice is full of concern. I donât say anything when he steps closer to me. Instead, I focus on his lips. Theyâre beautiful, actually. I suppose if I let myself, and we were alone, I could lean over, kiss him, and then I wouldnât have to think of something to say. He would know how I feel.
He wipes his mouth. âIs there something on my face?â
I shake my head and pull back.
âPenny, say something. Itâs not like you to be quiet,â he says. Iâm grateful for the loud chatter from the cast in the background, filling the silence.
I clear my throat. âIâm just tired.â
May comes up the stairs to the stage too and has to lift the heavy material and hem of the skirt. âWhatâs going on?â
âNothing.â
May rolls her eyes.
My cheeks warm. I donât want to have to tell them how bad itâs gotten and the terrible truth Mom confessed tonight. My friends have always joked with me, called me âdrama queenâ or âintense.â I thought we were just kidding around, but maybeâmaybe they were right. Maybe Mom is right.
âWhat happened tonight? And donât tell me that everything is fine when we both know it isnât,â May says. âIâve seen the news. We all have.â
Even though itâs air-conditioned in here, Iâm burning up.
âIs it the play?â May says.
âIs it your lines?â Wes counters.
Sheâs not talking.
Why