your immaculate home to go back to when you leave here while I just have to live in this squalor all the time.â
âI like your house,â said Claire. âIt feels cosy. Sometimes I wish our house was a bit more like this.â She gestured at the disarray around her. âI think William gets fussier every day. I certainly donât dare leave my dirty linen lying around any more.â
âQuit moaning,â said Sally. âYou donât know how lucky you are.â
âTalking of dirty linen, letâs get back to your website, Claire.â
âDonât be so cheeky, Gareth,â laughed Claire. âItâs not dirty linen, itâs vintage fabric.â
âAnd itâs uber fashionable at the moment,â added Sally. âThatâs why you should get it in a magazine.â
Fifteen minutes later theyâd made up a press release, attached a selection of pictures, and pinged it off to Idyllic Homes . Claire had practically forgotten all about it when Celia Howard, features editor for Idyllic Homes , phoned up two days later, saying her magazine adored the cushions (ârecycling fabric is so in right nowâ) but they also loved the look of the house.
â Exquisite! â Celia had gushed. âWeâd love to do a feature on your gorgeous house and your lovely little rural craft business. Our readers just adore that sort of thing.â
William seemed quite pleased with the idea of showing off his home.
âIâll have to finish grouting the tiles on the conservatory floor,â he had said. âAnd then Iâll have to re-paint the hall. Itâs covered in mucky handprints. Youâve got to stop the children touching the walls, Claire.â
He was keen to be there on the day of the shoot, though Claire suspected that this was because he wanted to make sure the stylist didnât damage any paintwork or scratch the floors.
âTheyâre not going to bang nails into the beams are they?â he asked, as he touched up the paint on the banisters. He carefully dipped his brush in and out of a pot of Farrow & Ball Shaded White, dabbing at dots of missing paint. âThere are enough holes and chips all over this house as it is.â
âI canât see any holes or chips,â said Claire, trying to squeeze past him with a pile of ironing. âIt looks fine to me.â She stroked his head affectionately as she passed; she liked the stubbly feel of his new hair cut. He pushed her hand away.
âThatâs the trouble,â William answered. âYou just donât notice the state this house is getting into.â
Claire bit her lip. She couldnât face an argument when she still had the tea to make and the children to bath. She continued up the stairs counting each tread as she did so. By the time she reached the top her threatened tears had passed.
At last the shock of Celia Howardâs phone call began to lessen and Claire moved out from behind the sofa. She feared the raspberry stain was there for good and pushed the sofa back to hide it. As she did so she revealed something grey and lumpy which could only have been regurgitated by Macavity the cat. She didnât know how long it had been there; it was encrusted onto the floor and in between the boards. On closer inspection it looked as though it contained at least half of what had once been a bat. Claire shuddered. Sheâd deal with it later, she thought, and moved the sofa at an angle to cover it.
As she picked up the basket to wash the juice-splashed washing all over again, she thought about Celiaâs last words â Stress-free lifeâ ? She had no idea.
Claire looked at the large clock on the kitchen wall â half past nine. The fish pie looked sad and dry on top of the pale blue Aga.
Claire helped herself to a portion and ate it at the same time as writing a list of all the things she had to do before the magazine shoot. She
Glenna Vance, Tom Lacalamita