pityâs sake. That woodâs slimy and treacherous.â
âNonsense!â Judith said. She increased the boldness of her advance.
âVery well. But if you must fall in, be good enough to do it on the canal side. If you tumble into the lock, itâs not very clear to me how Iâm to haul you out. And plunging in to the rescue wouldnât help much, either. Two bloated bodies, floating face up, is what the next wayfarer might find to entertain him.â
âWhoâd be married to a policeman?â Judith did now make a rather careful retreat. âYour imagination has been shockingly conditioned by your long frequentation of the morgue. I think Iâm rather hungry. Letâs push on.â
They went forward as rapidly as the state of the towpath allowed. It was a still day in early summer, and as the little valley drew in around them they seemed to be cut off from the least murmur of sound. Only once or twice there was a plop! that sent Judith scanning the surface of the canal for the wake of a water rat. Scroop House was now well behind them, and Appleby wondered whether his wife might, by good fortune, forget about it. He had some hopes of the tunnel.
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And the tunnel â or at least the entrance to it â certainly held a considerable impressiveness. The canal had simply to disappear into a low hill, much as a railway line might do. But the canal had been constructed in the eighteenth century, before such operations took on a merely functional air. The mouth of the tunnel, therefore, was an orifice handsomely framed in a wall of heavily rusticated stone, and even more handsomely embellished with caryatids, herms, cornucopias and a balustrade, while the classical expertness of those responsible for its construction was further attested by a Latin inscription of considerable length and fortunate illegibility.
âItâs much more ornate than Scroop House,â Judith said.
âMuch.â Appleby was disappointed by this train of thought.
âI expect the owner will tell us about it all.â
âThe owner? Tell us about it?â
âThe man living at Scroop House will tell us about the canal.â
âHe probably knows nothing about it â or about any other local thing. Heâll be a City gent, swathed in Old School ties and bogus rurality. And if you insist on making his acquaintance, heâll turn up on you inopportunely in London and ruin one of your gayest and cleverest artistic parties.â
Luckily, perhaps, Judith hadnât listened to this thrust. She was scrambling nearer to the mouth of the tunnel.
âBut it hasnât got a towpath!â she cried. âAnd they didnât have engines, did they? However did they get the barges through?â
âLeggers.â
âLeggers?â
âJust that. Men who lay on their back on the decks and did the job with their feet. A kind of walking motion on the roof of the tunnel. They must have been pretty flat out by the time theyâd done three miles. Thatâs why thereâs a pub at the end of the tunnel. No doubt thereâs one at the other end too. By the way, I suppose thereâs still a pub? It didnât shut up shop when the last leggers departed? The idea doesnât bear thinking of. I need lager badly.â
But Judith wasnât alarmed by the possibility of drought. She was now peering into the darkness of the tunnel.
âI wonder if one can go through?â she said. âYou see, they havenât fenced it off in any way. That means it must be safe, donât you think?â
Privately, Appleby thought that it meant just that. But he wasnât sure that he ought to encourage Judith in thoughts of navigation. Not that there wasnât a certain enticingness in the idea, since an adventure of this character would surely sink Scroop House for good.
âI donât see any craft,â he said. âBut perhaps you could wade. I doubt
Chris Adrian, Eli Horowitz