calmly turn aside to hand off hats and coats to a waiting footman. Family might well discount the danger, but servants always knew. If the Smithsonâs butler saw nothing untoward, then Trevor could relax his fist.
He did, easing his grip on her elbow as well. But he stayed right by her side while her bizarre cousin continued to twist her head one way and the other as he stared intently at her face.
Meanwhile, Miss Smithson rapidly got tired of being manhandled. âTheyâre brown, Ronnie,â she snapped as she tried to pull away. She had more hope of pushing aside a boulder.
âOf course theyâre brown,â her cousin agreed. And yet he continued to study her asâ¦well, as Mr. Smithson studied his insects. âTo the baker, theyâre brown. To a lovesick stable boy, theyâre brown. But to me, sweet Mellie, they are decidedly more interesting than brown .â He actually sneered the color.
Trevor felt his irritation run away with him. Was the man a Bedlamite? âBut they are brown,â he said.
The behemoth shot him a triumphant glare. âExactly my point.â
Miss Smithson made a very loud sigh. âRonnieââ
âYou see,â her cousin continued, riding directly over her words. âYour eyes are a kind of mink color in darknessââ
âYou canât see them in the dark,â she said. Exactly what Trevor would have said.
âIn shadow then. But in the sunâ¦â He twisted her head such that the light fell directly on her face. Then he exhaled as one might breathe when in the Sistine Chapelâwith awe and amazement. âI was thinking mahogany, but thatâs not it, not it at all. Theyâre like catâs eyes.â
Miss Smithson pursed her lips. âYellow and slitted?â
âNot a real cat. The stone. Catâs eye stones. Brown, but with striations of gold, not in a slitted line, but more like in a circle. A radiating circle. No, thatâs not right.â He dropped his hands with a huff. âItâs most difficult.â
Finally released from her cousinâs grip, Miss Smithson took a deep breath and straightened upright. She wasnât that tall, but she did have a fierce expression in her eyesâher golden-brown eyes, he reluctantly notedâas she glared at her cousin.
âRonnie, you didnât have to grab me like that. You could have just asked me to step into the sunlight.â
âWhat?â her cousin said, his brow furrowed in thought. âYour eyes are most difficult, you know. I would just call them catâs eye brown, but thatâs a double metaphor, you know. The stone is a metaphor for the animal. And the stone would be a metaphor for your eyes. Bad poetry, that.â
âYes,â Miss Smithson said, obviously not caring in the least. âVery bad.â
âIâd use the chrysoberyl and say damn to the boys whoâd have to look up the word, but it would be impossible to rhyme. And besides, the word looks so odd on the page. No one would know how to pronounce it, and the moment theyâre thinking of that, theyâve lost the beauty of the poetry.â Then he looked back at her. âThough, of course, you know what chrysoberyl is, and the poem is for youââ
âI also know what color my eyes are,â she said as she turned to the house. Then she paused to shoot her cousin an irritated glower. âMay I go inside now?â
Her sarcasm was lost on the bear suddenly looking at her bonnet. âThereâs a hole in your bonnet. Did you not notice?â
Which is the exact moment that Miss Smithsonâs anger shifted right back to Trevor. Her gaze caught his, and he would swear those gold and mahogany eyes shot darts at him. âYes, Ronnie, I knew.â
âOh. Is it a new female style? To punch holesââ
âNo, Ronnie.â Stomping past Trevor, she ripped off her broken bonnet and handed it to the