Ysabel Read Free

work . . .
    Within the dark, high-vaulted cathedral, he abruptly removed his iPod buds and hit the off button. Listening to Houses of the Holy in here wasn’t quite as clever as he’d thought it would be. He’d felt silly and even a little bit nervous alone in a place this shadowy and vast, unable to hear anything around him. He could imagine the headlines: Canadian Student Stabbed by Led Zeppelin–Hating Priest.
    The thought amused him, a little. He’d put it in an email to the guys back home later. He sat down on a bench halfway up the central aisle, stretched out his legs, and glanced at Melanie’s booklet. The cover photo was taken from a cloister. An arch in the foreground, a sunlit tree, the bell tower behind against a really blue sky. It was postcard pretty. It probably was on a postcard.
    His father would never take a picture like it, not in a million years. Not of this cathedral. Edward Marriner had talked about that yesterday, while they’d watched their first sunset from the terrace.
    Ned opened the brochure. There was a map at the front. The light was dim, but his eyesight was good, he could make it out. As best he could tell, from the map key on the facing page, this place had been built in a dozen stages over too many centuries by too many people who didn’t care what had been done before they arrived. A mess.
    That was the point, his dad had explained. The facade they were setting up to shoot was hemmed in by Aix’s streets and squares. It was part of them, entangled in the city’s life, not set back to be admired the way cathedrals usually were. The front had three styles and colours of stone that didn’t come close to matching up with one another.
    His father had said that was what he liked about it.
    Remember why we’re doing this shot, he’d reminded everyone as they’d piled out of the van and started unloading. Perfect cathedral facades like Notre Dame in Paris or Chartres were snapped by every tourist who saw them. This one was different, and a challenge—for one thing, they couldn’t back up too much or they’d crash through a window into a university classroom and ruin a lecture on the eternal greatness of France.
    Greg had laughed. Suck , Ned had thought, and reached for his earbuds.
    That was when Melanie had fished the brochure from her black shoulder tote. The tote was almost as big as she was. The running joke was that half the missing objects in the world could be found in Melanie’s bag, and she had a good idea where the other half were.
    Alone inside, Ned studied the map and looked up. Where he was sitting was called a nave, not an aisle. I knew that, he thought, inwardly imitating Ken Lowery’s exaggerated voice in science class.
    As best he could tell, the nave had been finished in 1513 but the part just behind him was four hundred years older, and the altar ahead was “Gothic,” whenever that was. The small chapel behind that had been built around the same time as the nave where he was sitting. If you looked left or right, the dates got even more muddled.
    He stood up and walked again. It was a little creepy being alone in here, actually. His footsteps, in Nikes, were soundless. He approached a side door with two heavy old iron locks and a new brass one. A sign said it led out to the cloister and listed the times for tours. The black iron locks did nothing any more, the new one was bolted. Figured. Couldn’t get out. That might have been a cool idea, sit in a cloister and listen to music. He didn’t have any religious music on the iPod, thank God, but U2 would have done.
    The cloister, Melanie’s map informed him, was really old, from the 1100s. So was the side aisle where he was standing now. But the chapel up at the end of it was eighteenth century, the newest thing here. You could almost laugh. They could put a Starbucks somewhere in this place and it would fit as much as anything else did. Chapel of Saint-Java.
    He walked towards that late chapel by the steps to