door.
You’re being a dumb, over-reacting shit , he told himself.
Still, he had the pistol ready as he opened the screen door….
Then, his hip holding it open, he reached for the knob of the inside door with his left hand.
The knob didn’t turn.
The door was locked, yet another bad sign. They never locked the doors when they were home. Acid poured into Harrow’s stomach, his chest tightened, and his eyes burned. This afternoon had been about instantaneous action—leaping to stop an assassin a nearly instinctive move.
This was different.
Entering his own house had become about caution and danger, his mind flooded with possible outcomes, none good.
In his gut, he already knew that tragedy was waiting. That didn’t stop him from praying that he was wrong as he unlocked the door. Entering the landing, he looked straight ahead at a family photo on the wall, Ellen, David, and himself smiling at the lens. His mother had snapped the photo at a family picnic a year before she died.
He glanced left, down into the darkened basement, then turned right and went up two steps into the kitchen.
Normally a bright room, with its yellow walls and white trim, now an inky threat, with no lights on, every shadow a trap. In the half-light that filtered in through the open curtains of the corner window over a small breakfast nook, knives in their wooden block on the counter to his right took on malevolence. Harrow glimpsed the moon through the window, a full fat moon, a butcher’s moon.
Fitting then that he also noticed that the butcher knife was gone from its slot in the block.
He moved past the stove on his left, the sink on the right, the big side-by-side refrigerator/freezer straight ahead. His rubber-soled shoes padded silently across the floor. Every nerve in his body strained, on alert for the slightest movement, the smallest sound. At the doorway, he could go right down a short hall to a bathroom and a downstairs bedroom that now served as a home office. Straight ahead lay the dining room.
He wasn’t going to turn on the light, just in case. On TV, the criminalist would have used a mini-flashlight to find his way around. Never mind that said criminalist made himself a target by using the flash, giving away his position to any potential attacker. Television never showed the real use of the flashlight, which was to find the goddamned light switch….
Not that he needed light getting around his own home. Still, this was not city dark, which wasn’t darkness at all, really—this was country dark.
The house remained eerily silent except for the ticking of an old-time mantel clock atop the wood sideboard. As his eyes struggled to find clues in the darkness, he slowly slid forward past the formal oak dining set. The only illumination came from the tiny amount of moonlight and rays from the garage light that sneaked in through cracks in the curtains in the dining room windows.
Gun up now, moving toward the living room, Harrow heard the thundering rush of his own blood and felt sweat streaking down his forehead; and, too, he heard his heart’s sledgehammer pounding. Just short of the living room, his foot touched something, and he looked down to see one of the chairs on its side under the table, a spindly wooden leg sticking out.
He wanted to scream for Ellen and David, but something was wrong here, and if there was an intruder, Harrow couldn’t know if the bastard was still around.
That meant doing things by the book.
Finally, cop objectivity settled in. Moving slowly, his eyes well adjusted to the dim light, he eased into the living room.
Moonlight spilled through the half-open curtains of the picture window and played like a grim spotlight on the face of Ellen on her back on the floor beside the coffee table, a dark pool on the rug around her body, her lifeless eyes staring at Harrow, begging to know where he had been when this terrible thing happened to her. She wore a cardinal-red ISU T-shirt and blue jeans, her