dance a pas de deux, after which Leonid tries to impress her by rolling his eyes until he has to be carried to the comfort station. Leonid offers profuse apologies and suggests that the two of them stroll to Tent No. 5 and watch a puppet show—an invitation that confirms in Natasha's mind the idea that she is dealing with an idiot.
The puppet show, however, is enchanting, and a large, amusing puppet named Dmitri falls in love with Natasha. She realizes that although he is only sawdust, he has a soul, and when he suggests checking into a hotel as Mr. and Mrs. John Doe, she is excited. The two dance a pas de deux, despite the fact that she just danced a pas de deux and is perspiring like an ox. Natasha confesses her love for Dmitri and swears that the two of them will always be together, even though the man who works his strings will have to sleep on a cot in the parlor.
Leonid, outraged at being thrown over for a puppet, shoots Dmitri, who doesn't die but appears on the roof of the Merchants Bank, drinking haughtily from a bottle of Air Wick. The action becomes confused, and there is much rejoicing when Natasha fractures her skull.
The Sacrifice
A melodic prelude recounts man's relation to the earth and why he always seems to wind up buried in it. The curtain rises on a vast primitive wasteland, not unlike certain parts of New Jersey. Men and women sit in separate groups and then begin to dance, but they have no idea why and soon sit down again. Presently a young male in the prime of life enters and dances a hymn to fire. Suddenly it is discovered he is on fire, and after being put out he slinks off. Now the stage becomes dark, and Man challenges Nature—a stirring encounter during which Nature is bitten on the hip,
with the result that for the next six months the temperature never rises above thirteen degrees.
Scene 2 opens, and Spring still has not come, although it is late August and no one is quite sure when to set the clocks ahead. The elders of the tribe meet and decide to propitiate Nature by sacrificing a young girl. A maiden is selected. She is given three hours to report to the outskirts of town, where she is told they are having a weenie roast. When the girl appears that night, she asks where all the frankfurters are. She is ordered by the elders to dance herself to death. She pleads pathetically, telling them that she is not that good a dancer. The villagers insist, and, as the music builds relentlessly, the girl spins in a frenzy, achieving sufficient centrifugal force to hurl her silver fillings across a football field. Everyone rejoices, but too soon, for not only does Spring fail to come but two of the elders get subpoenaed in a mail-fraud charge.
The Spell
The overture begins with the brass in a joyous mood, while underneath, the double basses seem to be warning us, "Don't listen to the brass. What the hell does brass know?" Presently, the curtain rises on Prince Sigmund's palace, magnificent in its splendor and rent-controlled. It is the Prince's twenty-first birthday, but he grows despondent as he opens his gifts because most of them turn out to be pajamas. One by one, his old friends pay their respects, and he greets them with a handshake or a slap on the back, depending on which way they are facing. He reminisces with his oldest friend, Wolfschmidt, and they vow that if either of them grows bald the other will wear a toupee. 1 The ensemble dances in preparation for the hunt until Sigmund says, "What hunt?" No one is quite sure, but the revelry has gone too far, and when the check comes there is much anger.
Bored with life, Sigmund dances his way down to the shore of the lake, where he stares at his perfect reflection for forty minutes, annoyed at not having brought his shaving equipment. Suddenly he hears the flutter of wings, and a group of wild swans flies across the moon; they take the first right and head back to the Prince. Sigmund is astounded to see that their leader is part swan and part