entire birthday had been wiped out by the International Date Line. Time to make amends and have a party.
Our house was full to bursting with a happy combination of film types and China adoption types. Conversations of every sort in every room. The mood felt upbeat, and why not? Our movie was done and in the hands of its distributor. That same distributor had offered to finance and distribute another independent film that I would write and direct. It was such a rare offer, I didnât let myself even think about whether I wanted to be consumed like that again so soon, or whether, in my heart of hearts, I really believed that the world needed another little movie by Jenny Bowen that would likely come and go, not adding up to much. I should be grateful for the opportunity. I started a new script.
We knew how lucky we were. Weâd worked hard for the life we had. And, although we were yet again dreaming of and scheming about moving away from Los Angeles and back to our San Francisco roots (Chinese daughter, San Franciscoâno-brainer), we were reasonably content. We were not thinking of turning our lives upside down again.
We were in the kitchen, refilling food platters. I could hear children laughing and playing a noisy game in the garden. I looked out at them through the kitchen window.
Somehow, through that kitchen glass, the world was a movie frame. Whatever was going on in the rooms of my house, beyond the edges of the frame, faded away. I could hear only the laughter of children.
And as I watched a gaggle of three- and four-year-old girls skipping up a path, trying to go fast, faster, yet keeping the line, giddy with the effort . . . I saw Maya.
She was positively radiant. Her cheeks red, her eyes bright. She was giggling so hard she could barely keep her balance. She called out and grabbed a friendâs hand. A friend! The girls collapsed on the grass in laughter.
In that frame of light, I saw a childâ my childâand she was okay.
Better than okay. She looked like someone who had known life only as it should beâa child who had been treasured from the moment she was born.
âHoney, come see.â
We watched her through the glass.
âLook at our little girl,â Dick said.
âWell, that was easy, wasnât it?â I said.
âNothing to it.â He smiled.
It was a miracle, this suddenly blossoming child. But a miracle that made perfect sense. Our girl knew, without doubt, that she was adored. It was that simple.
âWhy canât we do that for the ones we canât bring home?â I askedâand meant it.
âUh-oh,â he said. Weâd been together a long time.
When we talk about that day, he tells me I said something else after that. I donât remember saying itâ
I know what Iâm going to do with the rest of my life.
Chapter 1
Clumsy Birds Have Need of Early Flight
Summer 1998
From the moment I saw Maya at the heart of that happy tangle of little girls outside my kitchen window, I felt absolutely compelled to act. I saw a solution, plain and simple. I couldnât ignore it. I would find a way to bring a familyâs love to children who had lost theirs. Iâd bring Mayaâs miracle to China.
Itâs true that I didnât know anything about early childhood development. Or about China. Or about starting and running a nonprofit organization. On the other side of the world. Without any knowledge of the Chinese language. What I did know something about was dreaming stories. Iâd been doing it all my life.
When I was tiny, I made up stories with buttons from my motherâs sewing box, whole worlds of little button people. Then it was snail kingdoms in coffee cans in our foggy San Francisco backyard. At seven, I became a latchkey kid and quickly found my comfort and my dreams in library books. I checked out the eight allowed every Saturday; when finished with the pile, I read them again. The best hours of my