the appropriate entry in the log, as Howard McAlpine believed. Michael Ross might simply have extended his holiday without permission, and the story about his mother might have been no more than amisunderstanding. In that case, someone was sure to say that Toni had overreactedâlike a typical hysterical woman, James Elliot would add. She might find Michael Ross safely asleep in bed with his phone turned off, and she winced to think what she would then say to her boss, Stanley Oxenford, in the morning.
But it would be much worse if she turned out to be right.
An employee was absent without leave; he had lied about where he was going; and samples of the new drug were missing from the vault. Had Michael Ross done something that put him at risk of catching a lethal infection? The drug was still in the trial stage, and was not effective against all viruses, but he would have figured it was better than nothing. Whatever he was up to, he had wanted to make sure no one called at his house for a couple of weeks; and so he had pretended he was going to Devon, to visit a mother who was no longer alive.
Monica Ansari had said, The fact that someone lives alone doesnât make them a nutcase, does it? It was one of those statements that meant the opposite of what it said. The biochemist had sensed something odd about Michael even though, as a rational scientist, she hesitated to rely on mere intuition.
Toni believed that intuition should never be ignored.
She could hardly bear to think of the consequences if the Madoba-2 virus had somehow escaped. It was highly infectious, spreading fast through coughs and sneezes. And it was fatal. A shudder of dread went through her, and she pushed down on the accelerator pedal.
The road was deserted and it took only twenty minutes to reach Michael Rossâs isolated home. The entrance was not clearly marked, but Toni remembered it. She turned into a short drive that led to a low stone cottage behind a garden wall. The place was dark. Toni stopped the van next to a Volkswagen Golf, presumably Michaelâs. She sounded her horn long and loud.
Nothing happened. No lights came on, no one opened a door or window. Toni turned off the engine. Silence.
If Michael had gone away, why was his car here?
âBunny suits, please, gentlemen,â she said.
They all climbed into orange space suits, including the medical team from the second van. It was an awkward business. The suit was made of a heavy plastic that did not easily yield or fold. It closed with an airtight zip. They helped one another attach the gloves to the wrists with duct tape. Finally they worked the plastic feet of the suits into rubber overboots.
The suits were completely sealed. The wearer breathed through a HEPA filterâa high efficiency particulate air filterâwith an electric fan powered by a battery pack worn on the suit belt. The filter would keep out any breathable particles that might carry germs or viruses. It also took out all but the strongest smells. The fan made a constant shushing noise that some people found oppressive. A headset in the helmet enabled them to speak to one another and to the switchboard at the Kremlin over a scrambled radio channel.
When they were ready, Toni looked again at the house. Should someone glance out of a window now, and see seven people in orange space suits, he would think UFO aliens were real.
If there was someone in there, he was not looking out of any windows.
âIâll go first,â Toni said.
She went up to the front door, walking stiffly in the clumsy plastic suit. She rang the bell and banged the knocker. After a few moments, she went around the building to the back. There was a neat garden with a wooden shed. She found the back door unlocked, and stepped inside. She remembered standing in the kitchen while Michael made tea. She walked quickly through the house, turning on lights. The Rembrandts were still on the living-room wall. The place was clean,
A. A. Fair (Erle Stanley Gardner)