hadnât returned. He still figured she was needling him, and it made him sore. But by the fourth day he was on his hands and knees calling hotels, and on the fifth day he came to see me.â
âTo locate her so he could coax her back?â
âThat was my job,â Baer nodded. âHe was afraid that if he waited to hear from her, they might wind up in a divorce court. He didnât want that. No, sir.â
âGrounds?â Corrigan said.
âAdultery. He didnât like having to tell me,â Baer said. âI asked what the argument had been about, the one that had sent Bianca roaming. He said at first that it was just a family misunderstanding. Honestly, Iâm only half as dumb as I look. What did the guy take me for?â
âWhom did he finally name?â
âA dame named Frances Weatherly. She writes plays, those far-out onesâfull of kookie symbolism, the kind they produce in back rooms off Broadway. This she-playwright had a new play, and she wanted a decent theater for it. So she came to Fielding Theatrical Realty, which is how their lives got intermingled. Lessard actually said âintermingled.ââ
The phone on Corriganâs desk tinkled. It was Solly, from downstairs.
âMan inquiring for you, Captain. A Vincent Lessard.â
âIâm waiting for him. And, Solly.â
âYes, Captain?â
âIt wonât hurt to tape it.â
âIâll advise CC,â Solly said.
âThis manâs wife is missing. So tell Communications Center itâll be all-go if she owned a Mayan ring.â
2
Even the innocent rarely face the law with a total naturalness. Corrigan seldom put stock in the first image an individual presented to him.
A darkly handsome man, conservatively tailored and barbered, Vincent Lessard entered Corriganâs office with a spurious self-assurance that seemed to be covering up a carefully controlled fear.
He gave Baer a strong manâs nod. Then he stared at Corrigan with large dark eyes in which alarm was barely detectible.
âIâm glad you were able to make it so quickly,â Corrigan said in his pleasant tenor. âHave a seat, Mr. Lessard.â
Lessard gripped the arms of the straight wooden chair and eased himself down, not taking his eyes from Corriganâs face. Sunlight from the dusty window struck his chiseled face, making it glow like a spotlight; it also glinted on the drops of sweat below the line of his thick, black, wavy hair. He reminded Corrigan of a boy who had been told that no one could lie while meeting his parentsâ eyes. Or perhaps it had something to do with Corriganâs eye-patch. It was a minor irritant to Corrigan, sometimes not being able to tell whether an interviewee was exercising hard control over inner fears or mere fascination over the piratical patch.
âItâs about my wife, isnât it?â Lessard said. He had a stage-British accent. âIs sheâhas something happened thatââ There was the lightest break in his voice. Corrigan instantly recognized what Chuck Baer had mentioned. Lessard was emoting by the book. The script called for distress, so the actor was registering distress. On the other hand, Corrigan was not leaping to conclusions. There were people who put on an act about everything, even the real things when no act was necessary. If Lessard were such a man his act proved nothing. And he might well be such a man.
âI donât want to alarm you,â Corrigan said, âand maybe weâre taking up your time for nothing. But there is a report.â¦â He stopped deliberately.
âOh, God,â Lessard said. âHas Bianca been hurt? Attacked?â
âWeâre not sure we even have a lead on your wife,â Corrigan said. âBut we need your help, Mr. Lessard. If youâve no objection to answering a few questions?â
âOf course not, Captain! I canât imagine how I can